A Doll's House and the Dilemma of Chinese Female Intellectuals in the 1920s and 1930s

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Abstract

Ibsen's A Doll's House was introduced to China by Chunliu Society in the 1920s, sparking a wave of domestic women going out of their homes. Later, Mr. Lu Xun gave a speech entitled What Happens After Nora Leaves at the Literature and Art Conference of Beijing Women's Higher Normal school on December 26, 1923, discussing the exodus caused by the play and what the result was in China at that time. The speech was delivered about four years after the May Fourth Movement. This time period is the transition period when the female students who left the impression of "A Doll's House" became female graduates who faced problems with their way out. This article not only selects representative female writers from the 1920s and 1930s in China to explore the way out for female intellectuals from their biographies and works, but also analyzes the outcome of the choices made by female intellectuals in this era through the combination of works such as "The Doll's House" and "What Happens After Nora Runs Away". It further reveals that the difficulties faced by female intellectuals in China in the 1920s and 1930s are all due to the constraints of the times and destiny.
《玩偶之家》与二三十年代中国女性知识分子的困境
易卜生的《玩偶之家》于20世纪20年代由春流社传入中国,引发了一股家庭妇女走出家门的浪潮。后来,鲁迅先生于1923年12月26日在北京女子高师文艺会议上作了题为《诺拉出走后的情况》的演讲,讨论了该剧在当时中国引起的出走潮及其结果。这篇讲话是在五四运动后大约四年发表的。这一时期是给人留下《玩偶之家》印象的女大学生成为面临出路问题的女毕业生的过渡时期。本文选取了中国20世纪二三十年代具有代表性的女作家,从她们的传记和作品中探寻女性知识分子的出路,并结合《玩偶之家》、《诺拉出走后发生了什么》等作品,分析了这个时代女性知识分子的选择结果。进一步揭示了20世纪二三十年代中国女性知识分子所面临的困境,都是时代和命运的制约。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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