{"title":"Historicity","authors":"Benjamin D. O'Dell","doi":"10.1017/s106015032300027x","DOIUrl":null,"url":null,"abstract":"Historicity—that is, a cultural and aesthetic engagement with historical movement—is a crucial term for analyzing and evaluating what we commonly call “realist” fiction. In The Historical Novel (1939), Georg Lukács famously associated literature's historicity with the realist novel's ability to capture historical movement through typical characters, a feature he tied to Walter Scott's historical romances. For Lukács, Scott's “faithfulness” to history does not imply “a chronicle-like, naturalistic reproduction of language, mode of thought, and feeling of the past.” Rather, it comes from the way Scott uses “necessary anachronism” to portray the past “as the necessary prehistory of the present,” primarily through his protagonists’ symbolic movement between warring camps. Although historical romances remained popular in British literature after Scott's death, Victorian historical romances differed from the Waverley novels in important ways. This brief keyword essay considers the nature of those differences and their effect on literature's historicity more generally.","PeriodicalId":54154,"journal":{"name":"VICTORIAN LITERATURE AND CULTURE","volume":"23 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"VICTORIAN LITERATURE AND CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s106015032300027x","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Historicity—that is, a cultural and aesthetic engagement with historical movement—is a crucial term for analyzing and evaluating what we commonly call “realist” fiction. In The Historical Novel (1939), Georg Lukács famously associated literature's historicity with the realist novel's ability to capture historical movement through typical characters, a feature he tied to Walter Scott's historical romances. For Lukács, Scott's “faithfulness” to history does not imply “a chronicle-like, naturalistic reproduction of language, mode of thought, and feeling of the past.” Rather, it comes from the way Scott uses “necessary anachronism” to portray the past “as the necessary prehistory of the present,” primarily through his protagonists’ symbolic movement between warring camps. Although historical romances remained popular in British literature after Scott's death, Victorian historical romances differed from the Waverley novels in important ways. This brief keyword essay considers the nature of those differences and their effect on literature's historicity more generally.
期刊介绍:
Victorian Literature and Culture encourages high quality original work concerned with all areas of Victorian literature and culture, including music and the fine arts. The journal presents work at the cutting edge of current research, including exciting new studies in untouched subjects or new methodologies. Contributions are welcomed from internationally established scholars as well as younger members of the profession. The Editors" topic for 2005 is "Fin-de-Siècle Women Poets". Review essays form a central part of the journal, and offer an authoritative view of important subjects together with a list of relevant works that serves as an up-to-date bibliography.