{"title":"The Filiation Narrative in the Contemporary French Novel: Jean Rouaud and the Quest for the Absent Master","authors":"","doi":"10.26485/zrl/2023/66.1/6","DOIUrl":null,"url":null,"abstract":"In this paper two of Rouaud's texts - L’Invention de l’auteur and La Désincarnation — are mainly being discussed. Our aim is to demonstrate that the story of filiation appears very symptomatic of a new historical situation at the beginning of the twenty-first century, which seems to be written without a “Master” both on the literary and spiritual levels. Thus, there arises the need to accommodate the “ideologies of the end” that appear at the moment when the author enters the literary scene. By trying to establish an impossible dialogue with the Absent, Rouaud voluntarily becomes the archivist of the end of a certain world. We focus on the ways of establishing the link between the search of a father and the observation of the absence of the Father and an attempt to fill in this absence by searchingother literary models.","PeriodicalId":128361,"journal":{"name":"Zagadnienia Rodzajów Literackich","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zagadnienia Rodzajów Literackich","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26485/zrl/2023/66.1/6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this paper two of Rouaud's texts - L’Invention de l’auteur and La Désincarnation — are mainly being discussed. Our aim is to demonstrate that the story of filiation appears very symptomatic of a new historical situation at the beginning of the twenty-first century, which seems to be written without a “Master” both on the literary and spiritual levels. Thus, there arises the need to accommodate the “ideologies of the end” that appear at the moment when the author enters the literary scene. By trying to establish an impossible dialogue with the Absent, Rouaud voluntarily becomes the archivist of the end of a certain world. We focus on the ways of establishing the link between the search of a father and the observation of the absence of the Father and an attempt to fill in this absence by searchingother literary models.
本文主要讨论了Rouaud的两个文本- L 'Invention de L 'auteur和La dsamsincarnation。我们的目的是要证明,在二十一世纪初,这种关系的故事似乎是一种新的历史形势的征兆,在文学和精神层面上,这种形势似乎是没有“主人”的。因此,在作者进入文学舞台的那一刻,就出现了适应“目的意识形态”的需要。通过试图与“缺席者”建立一种不可能的对话,鲁昂自愿成为某个世界终结的档案保持者。我们关注的是如何在寻找父亲和观察父亲的缺失之间建立联系,并试图通过寻找共同的文学模式来填补这种缺失。