The Paradox of Freedom and Fear in Athol Fugard’s My Children! My Africa!

Imbizo Pub Date : 2023-08-11 DOI:10.25159/2663-6565/12367
John Simango
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Abstract

The history of South Africa is characterised by fear that stems from violent colonisation by Europeans who had their own interests and neglected the needs of the original inhabitants of the land. The descendants of the colonisers made matters worse with the introduction of apartheid, which saw the implementation of discriminatory policies that included the forced removals of black people from their own land. This article traces and interrogates the fight for freedom by black South Africans against apartheid, a fight that can be described as brutal and accompanied by fear. This fight is nuancedly represented by Athol Fugard in one of his plays, My Children! My Africa! (1989), in which he links fear with the quest for freedom. Applying postcolonial theory to the play, this article argues that Fugard’s representation of apartheid’s oppression of black people complicates understandings of the concept of freedom by making freedom and fear inseparable.
《我的孩子们!》中自由与恐惧的悖论我的非洲!
南非历史的特点是恐惧,这种恐惧源于欧洲人的暴力殖民,他们有自己的利益,忽视了这片土地上原居民的需要。殖民者的后代实行了种族隔离制度,使情况变得更糟。种族隔离制度实施了歧视性政策,其中包括将黑人强行赶出自己的土地。这篇文章追溯并拷问了南非黑人反对种族隔离制度争取自由的斗争,这场斗争可以说是残酷的,伴随着恐惧。阿索尔·富加德在他的戏剧《我的孩子们!》我的非洲!(1989),他将恐惧与对自由的追求联系起来。本文将后殖民理论运用到戏剧中,认为富加德对种族隔离对黑人的压迫的表现使自由与恐惧不可分割,从而使对自由概念的理解复杂化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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