Tatar clasp-necklace yaka chylbyry: questions of genesis and ethno-cultural interrelations

Svetlana V. Suslova, Larisa N. Donina
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引用次数: 0

Abstract

The article is devoted to the history of the formation of the ethnospecific jewelry of the Kazan Tatars – a collar clasp-necklace called yaka chylbyry. This piece of jewelry in its classic look had formed by the early-middle 19th century. However, the artistic image of the constituent elements of this multicomponent product, as well as the techniques of its manufacture, go back to medieval traditions. The publication focuses on an earlier constructive analogue of the yaka chylbyry – a clasp for a woman's camisole in the shape of double sheep larvae. The functional reorientation – the use of a clasp for a doublet as a collar clasp-necklace occurred at the turn of the 18th–19th centuries. The ram's face is considered by the authors as a result of the historical transformation of the "scarab" image typical for Russian caftan fasteners of the 16th–19th centuries. Echoes of the stylized motif of the ram can be seen on the classic yaka chylbyry up to the early-middle of the 20th century.
鞑靼扣项链yaka chylbyry:起源和民族文化相互关系的问题
这篇文章专门介绍喀山鞑靼人的民族特色珠宝的形成历史——一种被称为yaka chylbyry的衣领扣项链。这件珠宝的经典外观形成于19世纪早期中期。然而,这种多组分产品的组成元素的艺术形象,以及它的制造技术,可以追溯到中世纪的传统。该出版物的重点是早期对yaka乳脂的建设性模拟-双羊幼虫形状的女性背心扣。在18 - 19世纪之交,出现了功能上的重新定位——将紧身上衣的搭扣用作衣领搭扣项链。作者认为,公羊的脸是16 - 19世纪俄罗斯长袍紧固件典型的“圣甲虫”形象的历史转变的结果。在20世纪早期中期的经典yaka chylbyry上,可以看到公羊的风格化主题的回声。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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