On the Emotional Colors and Performance Techniques in Brahms' Interlude Op.118 No.2

Xiaoan Zeng, Junjin Lai
{"title":"On the Emotional Colors and Performance Techniques in Brahms' Interlude Op.118 No.2","authors":"Xiaoan Zeng, Junjin Lai","doi":"10.22158/jecs.v7n4p65","DOIUrl":null,"url":null,"abstract":"Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of significant changes in music style, Brahms' early creative style still retained some traces of classical style. However, in his later years, he became more passionate about small genre lyrical works. I believe that these works must be the gentlest and most monologue works of Brahms' life. The interlude Op118 No.2, created in the late period of Brahms, possesses extremely clever creative techniques and extremely beautiful melodies, and is later known as the \"Love Letter to Clara\". The emotions and performance techniques involved are worth further exploration.","PeriodicalId":73723,"journal":{"name":"Journal of education and culture studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of education and culture studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22158/jecs.v7n4p65","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of significant changes in music style, Brahms' early creative style still retained some traces of classical style. However, in his later years, he became more passionate about small genre lyrical works. I believe that these works must be the gentlest and most monologue works of Brahms' life. The interlude Op118 No.2, created in the late period of Brahms, possesses extremely clever creative techniques and extremely beautiful melodies, and is later known as the "Love Letter to Clara". The emotions and performance techniques involved are worth further exploration.
论勃拉姆斯插曲作品118 2的情感色彩与表现手法
约翰内斯·勃拉姆斯是浪漫主义时期最后一位德国奥地利古典主义大师。在这个音乐风格发生重大变化的时代,勃拉姆斯早期的创作风格仍然保留着一些古典风格的痕迹。然而,在他的晚年,他更热衷于小流派的抒情作品。我相信这些作品一定是勃拉姆斯一生中最温柔、最独白的作品。创作于勃拉姆斯晚期的插曲Op118 No.2,创作手法极其巧妙,旋律极其优美,后来被称为“给克拉拉的情书”。其中所涉及的情感和表演技巧值得进一步探索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信