Tatar costume in museum collections of Russia

Svetlana V. Suslova
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Abstract

The article is an overview of the collections on the folk costume of the Tatars, stored in the funds of numerous museums in Russia and Tatarstan. It contains information about the traditional types of upper and lower clothing, shoes and jewelry of the Volga-Ural Tatars (Kazan, Kasimov, Mishars, and Kryashens), as well as similar information on the costume of Astrakhan and Siberian Tatars living on the territory of the Russian Federation. Particular attention is paid to women's costume which characterizes folk arts and crafts to the greatest extent. A significant part of the collections is well passportised, indicating the region of existence, gender and age, and local terminology. The materials of the collections reflect the ethno-local and regional features of traditional clothing. On provision of firm attribution, museum objects have advantages over other historical sources. Artifacts from the early to mid–19th century and of the earlier period – medieval “imperishable” metal jewelry, leather goods, etc. are of particular value. They serve as a reliable illustration for the reconstruction of pre-national costume variations, which are extremely in demand in modern museum, theater, and ritual practices. When using the synchronous-diachronic methods of comparative historical analysis, museum artifacts considerably contribute to the study of the history of the Tatar costume, which largely reflects the ethno- and cultural genesis of the people as a whole.
俄罗斯博物馆收藏的鞑靼人服装
本文概述了俄罗斯和鞑靼斯坦众多博物馆收藏的鞑靼人民间服装。它包含关于伏尔加-乌拉尔鞑靼人(喀山、卡西莫夫、米沙尔和克里亚申)传统类型的上下服装、鞋子和珠宝的信息,以及生活在俄罗斯联邦领土上的阿斯特拉罕和西伯利亚鞑靼人的服装的类似信息。特别关注的是妇女服装,这是民间工艺美术的最大特点。收藏的一个重要部分是很好的护照,表明存在的地区,性别和年龄,和当地的术语。藏品的材料反映了传统服装的民族、地方和地域特征。在确定归属方面,博物馆文物比其他历史资料具有优势。19世纪早期到中期以及更早时期的文物——中世纪“不朽”的金属首饰、皮革制品等具有特别的价值。它们是重建前民族服装变化的可靠例证,这在现代博物馆,剧院和仪式实践中非常需要。当使用比较历史分析的同步-历时方法时,博物馆文物对鞑靼服装历史的研究做出了很大贡献,这在很大程度上反映了整个民族的民族和文化起源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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18 weeks
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