NEW AND MODIFIED ELEMENTS IN THE MORDOVIAN COSTUME OF THE XIII–XV CENTURIES

Yuri A. Zeleneev
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 The purpose of the study is to analyze accentuating a decorative complex and clarify the dating of its existence.
 
 Materials and methods. The main source base of the research is archaeological sources both published in various periodicals and collected in original reports stored in the Field Research Department of the Archaeology Institute under the Russian Academy of Sciences. The research is based on the principle of historicism, the typological archaeological one and the method of ethnic correspondence.
 
 Study results. The Mordovian costume preserves almost all the elements of the decorative complex that existed in the previous period. The only exception is made by the temporal pendants with a weight, which remain an ethnic marker of the Mordovian people since the moment of the Mordovian culture’s emergence until the XIII century. The rest of the complex, although not as bright as in the previous time, remains almost the same in terms of the set of decorations. Only their forms change along with the change of the entire cultural image, which is chronological in nature. Breast ornaments and hand ornaments are preserved. Temporal pendants give way to temporal rings.
 
 Conclusions. The opinion that the Mordovian culture of the XIII–XV centuries is declining is not justified. During this period, the objective process of its development continues, which in the second half of the 30s of the XIII century due to historical events received a new vector. The highest prosperity of the Mordovian culture of the time under consideration dates back to the middle of the XIV century, which corresponds both to the ecological and political situation in Eastern Europe. The XIII–XV centuries are a new stage in the development of the Mordovian culture, which can be seen on the example of the metal decor. The chronology of the decorative complex in the Mordovian costume of the Golden Horde period needs clarification, which is partially done in this article.","PeriodicalId":494687,"journal":{"name":"Vestnik Čuvašskogo universiteta","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Čuvašskogo universiteta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47026/1810-1909-2023-3-36-42","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

In any ethnic group a costume is part of the ethnic characteristics of the people. Along with other elements, it distinguishes one nation from its neighbors. The purpose of the study is to analyze accentuating a decorative complex and clarify the dating of its existence. Materials and methods. The main source base of the research is archaeological sources both published in various periodicals and collected in original reports stored in the Field Research Department of the Archaeology Institute under the Russian Academy of Sciences. The research is based on the principle of historicism, the typological archaeological one and the method of ethnic correspondence. Study results. The Mordovian costume preserves almost all the elements of the decorative complex that existed in the previous period. The only exception is made by the temporal pendants with a weight, which remain an ethnic marker of the Mordovian people since the moment of the Mordovian culture’s emergence until the XIII century. The rest of the complex, although not as bright as in the previous time, remains almost the same in terms of the set of decorations. Only their forms change along with the change of the entire cultural image, which is chronological in nature. Breast ornaments and hand ornaments are preserved. Temporal pendants give way to temporal rings. Conclusions. The opinion that the Mordovian culture of the XIII–XV centuries is declining is not justified. During this period, the objective process of its development continues, which in the second half of the 30s of the XIII century due to historical events received a new vector. The highest prosperity of the Mordovian culture of the time under consideration dates back to the middle of the XIV century, which corresponds both to the ecological and political situation in Eastern Europe. The XIII–XV centuries are a new stage in the development of the Mordovian culture, which can be seen on the example of the metal decor. The chronology of the decorative complex in the Mordovian costume of the Golden Horde period needs clarification, which is partially done in this article.
十三至十五世纪摩尔多瓦服饰中的新元素和改良元素
在任何一个民族中,服装都是这个民族特征的一部分。与其他因素一起,它使一个国家区别于它的邻国。& # x0D;本研究的目的是分析强调装饰复合体,并澄清其存在的年代。 & # x0D;材料和方法。研究的主要来源是在各种期刊上发表的考古资料和保存在俄罗斯科学院考古研究所实地研究部的原始报告中收集的考古资料。研究以历史决定论原则、类型学考古学原则和民族对应方法为基础。& # x0D;研究的结果。摩尔多瓦服饰几乎保留了前一时期存在的所有装饰元素。唯一的例外是带有重量的时间挂件,自莫尔多瓦文化出现的那一刻起,直到十三世纪,它一直是莫尔多瓦人的种族标志。建筑群的其余部分,虽然不像以前那么明亮,但在装饰方面几乎保持不变。只有它们的形式是随着整个文化形象的变化而变化的,这种变化本质上是时间的。胸饰和手饰都被保留了下来。时间挂件让位于时间环。 & # x0D;结论。认为十三至十五世纪的摩尔多瓦文化正在衰落的观点是不合理的。在此期间,其发展的客观过程仍在继续,这在十三世纪三十年代下半叶由于历史事件而获得了新的载体。摩尔多瓦文化最繁荣的时期可以追溯到十四世纪中叶,这与东欧的生态和政治形势相对应。十三至十五世纪是莫尔多瓦文化发展的新阶段,这可以从金属装饰的例子中看出。金帐汗国时期莫尔多瓦服饰中装饰情结的年代需要澄清,本文对此做了部分阐述。
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