“TRUE SEEKER OF THE MOUNTAINS SOUL” AND THE WEALTH OF THE “LAKE OF MOUNTAIN SPIRITS”: G. I. CHOROS-GURKIN IN THE CONTEXT OF THE 101-YEAR HISTORYOF THE SANATORIUM “UZKOE”

Natalya Trubetskaya
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Abstract

The article turns to one of the most interesting pages in the 101-year history of the sanatorium “Uzkoe” (Federal Research and Clinical Center of Reanimatology and Rehabilitation) through the prism of the life and creative activity of the outstanding Altai artist Grigory Ivanovich Choros-Gurkin (1870-1937). His “Altai” (or «Lake of mountain spirits») painting created in 1916 for the honorary Academician Nikolai Alexandrovich Morozov (1854-1946) are one of the brightest pearls of the art collection of the sanatorium “Uzkoe”. Both behind the plot of the painting, where the ancient Oirot legend is intertwined with the comprehension of the secrets of science, and behind the process of creation and the further fate of the canvas itself, an amazing story is hidden which to this day, revealing new facets, disturbs the inquisitive mind of researchers. The main role in this story will belong to “reason and solid analysis”.
“山魂的真正追寻者”与“山魂之湖”的财富:g.i.h oros - gurkin在疗养院“uzkoe”101年历史的背景下
这篇文章通过杰出的阿尔泰艺术家格里戈里·伊万诺维奇·乔罗斯-古尔金(1870-1937)的生活和创作活动的棱镜,转向疗养院“Uzkoe”(联邦复活与康复研究和临床中心)101年历史中最有趣的一页。他在1916年为荣誉院士尼古拉·亚历山德罗维奇·莫罗佐夫(1854-1946)创作的“阿尔泰”(或“山灵湖”)画作是“乌兹科”疗养院艺术收藏中最闪亮的珍珠之一。在这幅画的情节背后,古代奥瓦罗的传说与对科学秘密的理解交织在一起,在创作过程和画布本身的进一步命运背后,隐藏着一个惊人的故事,直到今天,它揭示了新的方面,扰乱了研究人员好奇的头脑。这个故事的主要角色将属于“理性和扎实的分析”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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