The (in) Visible Father in Moroccan Women’s Writings

Salma Bartiza, Hassan Zrizi
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Abstract

Postcolonial Moroccan women's writings significantly contribute to the re-evaluation of the father-figure. Their narratives reflect a constant battle to challenge patriarchal structures and establish a democratic "imagined community" where women are recognized and celebrated. The female voice rises, and the dominant father is reduced to invisibility as these writers assert their presence and subvert traditional gender roles. This study aims to explore how Moroccan women writers depict the father-figure in their polemical and fictional works. It scrutinizes how they have effectively portrayed the father as a formidable force challenging emancipation. The paper also examines the different manifestations of the father-figure and the various relationships these women writers establish with this pivotal element in their narratives. The findings indicate that these writers ultimately reduce the father-figure to invisibility as they appropriate narratives, feminize language, and celebrate their bodies, breaking free from the patriarchal paradigm.
摩洛哥女性作品中的无形父亲
后殖民时期摩洛哥女性的写作对父亲形象的重新评价做出了重大贡献。她们的叙述反映了一场挑战父权结构、建立一个民主的“想象共同体”的持续斗争,在这个共同体中,女性得到了承认和庆祝。女性的声音上升了,当这些作家主张他们的存在并颠覆传统的性别角色时,占主导地位的父亲被贬低为隐形人。本研究旨在探讨摩洛哥女作家如何在她们的论战与虚构作品中描绘父亲的形象。它仔细审视了他们如何有效地将父亲描绘成一股挑战解放的强大力量。本文还探讨了父亲形象的不同表现形式,以及这些女作家在叙事中与这一关键因素建立的各种关系。研究结果表明,这些作家最终将父亲形象淡化为隐形形象,因为他们采用了恰当的叙事方式,使语言女性化,并赞美自己的身体,从而摆脱了父权范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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