A Counter Reading of Globalised Children’s Literature in Mollel’s Books

Mpale Silkiluwasha
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Abstract

This article analyses the perceptions of an African audience of books written on Africa published but mostly sold in the West, based on the assumption that these books primarily target a Western audience. Drawing insights from postcolonial and children’s literature scholars, the study sought to bring into the conversation the voice of the otherwise marginalised population—African (Tanzanian) audience—who are represented in these texts. Based on ethnographic studies conducted in Dar es Salaam amongst primary school students, students and staff from the University of Dar es Salaam, and some staff from the Children’s Books Project (CBP) of Tanzania, the study focused on Mollel Tolowa’s seven books with to gather perceptions of a Tanzanian audience. Even though both young and older readers alike highly spoke of the books’ quality and for having a relatively fair representation of Tanzania, these participants observed incidents of the books either pandering to stereotypes and/or offering inaccurate information.
莫勒作品中儿童文学全球化的反读
本文分析了非洲读者对在西方出版但主要销售的关于非洲的书籍的看法,基于这些书籍主要针对西方读者的假设。从后殖民时期和儿童文学学者的见解中汲取灵感,该研究试图将这些文本中所代表的被边缘化人群——非洲(坦桑尼亚)观众——的声音带入对话。基于在达累斯萨拉姆对小学生、达累斯萨拉姆大学的学生和工作人员以及坦桑尼亚儿童图书项目(CBP)的一些工作人员进行的民族志研究,这项研究将重点放在Mollel Tolowa的七本书上,以收集坦桑尼亚读者的看法。尽管年轻和年长的读者都高度评价这些书的质量,并认为它们相对公平地代表了坦桑尼亚,但这些参与者发现,这些书要么迎合了刻板印象,要么提供了不准确的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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