A Comparative Analysis of Melville’s Cosmopolitanism and Kantian Cosmopolitanism

Kwangtaek Han
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Abstract

The aim of this essay is to examine Herman Melville’s exploration of the Kantian concept of cosmopolitanism, deeply embedded within his seminal work Moby-Dick. In particular, it seeks to unravel the multifaceted ways in which Melville not only engages with but also disrupts and questions the Kantian philosophical notion of cosmopolitanism by immersing Ishmael in a series of situations that revolve around the intricate interplay of multiculturalism and cosmopolitanism. At the heart of this analysis lies the investigation into how Melville skillfully crafts Ishmael’s evolving understanding of diverse ethnic and cultural identities. These identities, in turn, exert a reciprocal influence, molding and being molded by Ishmael’s deeply ingrained racial and cultural ideologies. By peeling back the layers of Ishmael’s perceptual journey, Melville lays bare the latent intricacies that underpin the contemporary interpretation of cosmopolitanism, which finds its roots in the philosophical tenets of Kant. This essay delves into Melville’s deliberate thematic and narrative treatment of Ishmael’s transformations across the realms of epistemology, ontology, and ethics. Moreover, it endeavors to elucidate the inherent limitations that accompany these transformative processes, advancing the argument that Melville strategically employs Ishmael’s character as a narrative device to establish a critical distance, compelling readers to recognize the chasm that separates Ishmael’s cosmopolitanism from Melville’s cosmopolitan perspective. I argue that Melville’s cosmopolitanism deviates markedly from the Kantian paradigm, and this divergence challenges and contests the idealistic and theoretical foundations upon which Kantian formulation of cosmopolitanism is erected, rooted in the principles of the nineteenth-century humanism and liberalism. Melville’s critical insights, I claim, shed light on his profound engagement with the Kantian cosmopolitan ideal and the significant implications this engagement holds for the contemporary understanding of cosmopolitanism.
梅尔维尔的世界主义与康德的世界主义比较分析
本文的目的是研究赫尔曼·梅尔维尔对康德的世界主义概念的探索,这一概念深深植根于他的开创性作品《白鲸》中。特别是,它试图揭示梅尔维尔的多方面的方式,通过将以实玛利沉浸在一系列围绕多元文化和世界主义错综复杂的相互作用的情况中,梅尔维尔不仅参与,而且破坏和质疑康德的世界主义哲学概念。这一分析的核心在于调查梅尔维尔如何巧妙地塑造以实玛利对不同种族和文化身份的不断发展的理解。这些身份,反过来又相互影响,塑造和被以实玛利根深蒂固的种族和文化意识形态所塑造。通过剥离以实玛利的感性旅程,梅尔维尔揭示了潜藏的复杂性,这些复杂性支撑着当代对世界主义的解释,而世界主义的根源在于康德的哲学原则。本文深入研究了梅尔维尔对以实玛利在认识论、本体论和伦理学领域的转变的深思熟虑的主题和叙事处理。此外,它还试图阐明伴随这些转变过程的内在局限性,提出梅尔维尔战略性地利用以实玛利的性格作为一种叙事手段来建立一个关键距离的论点,迫使读者认识到将以实玛利的世界主义与梅尔维尔的世界主义观点分开的鸿沟。我认为梅尔维尔的世界主义明显偏离了康德的范式,这种分歧挑战和挑战了康德的世界主义构想所建立的理想主义和理论基础,这些基础植根于19世纪的人文主义和自由主义原则。我认为,梅尔维尔的批判性见解揭示了他与康德世界主义理想的深刻接触,以及这种接触对当代世界主义理解的重要影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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