THE SEA IN POETIC LANGUAGE OF THE ANCIENT GERMANS (TESTIMONY OF THE TEXTS)

Alexander I. Iliadi
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Abstract

The article is devoted to the consideration of language means, used for expressing of the sea element image in ancient Germanic texts. For a number of words naming the sea, secondary nature of «marine» semantics is established relative to a whole series of primary meanings ʻwaveʼ, ʻsurfʼ, ʻwater billowʼ, ʻmovement (of water mass)ʼ etc. The contexts collected in the study illustrate the semantic differences in word usage, enabling one to more or less exactly state when it is about a wave, the movement of a water surface, and when it is actually about the sea. It is further suggested a description of the structure and semantics of the sum of composites, often used to denote the marine world. It follows from the description that the «marine» vocabulary of ancient Germanic poetic texts was an open system (it could be replenished with new composites), which developed by analogy with itself, having as samples the composites inherited from the Proto-Germanic language. Special attention is paid to the set of epithets of the sea in the accessible corpus of German texts and descriptive expressions, in which the sea is likened to a person, and this fact indicates the ancient metaphorical perception of the world from the standpoint of anthropocentrism
古代德国人诗意语言中的海洋(文本的证词)
本文对古日耳曼文本中海元素形象的语言表达方式进行了探讨。对于许多命名海洋的单词来说,“海洋”语义的次要性质是相对于一系列的基本含义——“海浪”、“冲浪”、“巨浪”、“运动”等——而建立起来的。研究中收集的上下文说明了单词用法的语义差异,使人们能够或多或少准确地说出什么时候是关于波浪、水面的运动,什么时候是关于海洋的。进一步提出了一种结构和语义的描述,通常用于表示海洋世界。从描述中可以得出,古代日耳曼诗歌文本的“海洋”词汇是一个开放的系统(它可以用新的合成物来补充),它通过与自身的类比而发展,以继承自原日耳曼语言的合成物为样本。特别注意的是,在可访问的德语文本语料库和描述性表达中,海洋的一组绰号被比作一个人,这一事实表明,从人类中心主义的角度来看,古代对世界的隐喻感知
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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