Analysis of architectural urban spaces based on space syntax and scenario methods

Q1 Arts and Humanities
Spatium Pub Date : 2023-01-01 DOI:10.2298/spat230407010o
Olena Oliynyk, Troshkina Olena
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引用次数: 0

Abstract

The article aims to examine the scenario design process, with the goal of creating an architectural environment with a better perception of urban spaces. Space analysis and generalization of the plot structure of films, as well as their types and genres, which correlate with the plot composition of the urban architectural space and spatial syntax, were used as an approach in the study. This made it possible to investigate the relationships between spatial planning and a number of social, economic and environmental phenomena. As a result of studying the plot composition of a film, it was established that its structural elements and the features of those elements can be used to analyze the architectural environment, in order to study its plot structure based on configurational models of space. Thus, the legitimacy of using cinematographic analysis for the analysis of the architectural environment was confirmed. The plot structure of the architectural environment of the city is understood as its urban structure, which, like in cinematography, can develop linearly, i.e., from the beginning of the route to the end point along one line of a street, or be more complex (non-linear), whereby all elements are placed in an arbitrary order. In cinematography, the idea of the film organizes the plot and sets the formula for the finale; however, in the architectural environment, a person, moving in the city, perceives this environment through the spatial and temporal aspect that has developed historically. Hence, the architectural and artistic appearance of the city is of crucial importance.
基于空间句法和情景方法的城市建筑空间分析
本文旨在研究场景设计过程,目的是创造一个对城市空间有更好感知的建筑环境。研究的方法是对电影的情节结构进行空间分析和归纳,以及电影的类型和类型,这些都与城市建筑空间的情节构成和空间句法有关。这使得研究空间规划与一些社会、经济和环境现象之间的关系成为可能。通过对电影情节构成的研究,确立了电影的结构要素及其特征可以用来分析建筑环境,从而基于空间构型模型来研究电影的情节结构。因此,使用电影分析来分析建筑环境的合法性得到了证实。城市建筑环境的情节结构被理解为它的城市结构,就像在电影中一样,可以线性发展,即沿着一条街的一条线从路线的开始到终点,也可以更复杂(非线性),即所有元素都按任意顺序放置。在电影摄影中,电影的构思组织情节并为结局设定公式;然而,在建筑环境中,一个人,在城市中移动,通过历史上发展的空间和时间方面来感知这个环境。因此,城市的建筑和艺术面貌至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Spatium
Spatium Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
0
审稿时长
30 weeks
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