Mahmoud Darwish’s “Like the Flower of Almond or Beyond”: The Poem of Exile and the Narrative of the Self and Community

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Abstract

This study presents an in-depth analysis of Mahmoud Darwish’s Diwan “Like the Flower of Almond or Beyond” from the perspective of the self-narrative as part of the Palestinian collective identity and its relationship with exile as experienced and narrated by the poet. It becomes clear to the reader that the poet depicts, in this collection of poems, phases from his autobiography and from that of his community. The poet associates his personal narrative of exile with the traumatic Palestinian collective memory of successive tragic transformations generated by all forms of victimization such as exile into diaspora and uprooting from homeland the poet and his fellow countrymen were exposed to. In addition, the poet’s self-narrative reveals, at the same time, his perception of various issues such as death, love, childhood, old age, homeland,language, time, existence, and his view of the other; issues that are closely related to the life of exile that both the poet as an individual and his community lived in. The poet’s self-narrative also portrays, to a large extent, his vision, and the horizons he aspires to reach in this Diwan. Keywords: Mahmoud Darwish, Like the flower of almond or beyond, Modern arabic poetry, Exile poetry, Autobiography.
马哈茂德·达尔维什的《像杏花或超越》:流放之诗与自我与共同体的叙事
本研究从作为巴勒斯坦集体身份的一部分的自我叙述及其与流亡的关系的角度,对马哈茂德·达尔维什的《像杏花或超越》进行了深入的分析。读者可以清楚地看到,诗人在这本诗集中,描述了他的自传和他的社区的各个阶段。诗人将他的个人流亡故事与巴勒斯坦人的创伤性集体记忆联系起来,这些记忆是由各种形式的受害者所产生的连续的悲剧性转变,比如流亡到散居地,以及诗人和他的同胞们所面临的背井离乡。此外,诗人的自我叙述同时揭示了他对死亡、爱情、童年、老年、家园、语言、时间、存在等各种问题的感知,以及他对他者的看法;这些问题与作为个人的诗人和他的团体所处的流亡生活密切相关。在很大程度上,诗人的自我叙述也描绘了他的视野,以及他渴望在这个Diwan中达到的视野。关键词:马哈茂德·达尔维什,如杏花或超越,现代阿拉伯诗歌,流亡诗歌,自传。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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