Analysis of Maxim Violations on Japanese Comic Strip “Kariage Kun” Vol 49 and its Indonesian Translation

Andi Sutrisno
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引用次数: 0

Abstract

Humor could be created by violation of maxim of the cooperative principle as proposed by Grice. In Kariage Kun, a well-known Japanese humor comic, it is challenging to analyze what maxim violation is explored to create humor, as it represents a co-interplay between a series of images and text. This study aimed to analyze the pattern of maxim violation in source text from Kariage Kun vol 49 (from word level to sentence level) and to compare whether the pattern of maxim violation is similar or shifting in the Indonesian version. The result of this study shows that the author of the comic explored the violation of maxims to create humor. The violation took place on a single or combination of the maxim of quantity, the maxim of quality, the maxim of relevance, and the maxim of manner. Compared to the target text, there are not many (less than ten percent) shifting of the pattern of maxim violation in the target text. The shifting mostly occurred when the violation dealt with the ambiguity of typical cultural load in the source text, preservation of acceptability and readability for target readers in terms of translation technique, and limited space of speech balloon.
日本连环画《Kariage Kun》第49卷格言违犯分析及其印尼语翻译
幽默可以通过违反格赖斯提出的合作原则而产生。在日本著名幽默漫画《Kariage Kun》中,幽默是通过何种违背准则来创造的,这是一个挑战,因为它代表了一系列图像和文本之间的相互作用。本研究旨在分析《Kariage Kun》第49卷源文本中违背格言的模式(从单词层面到句子层面),并比较印尼语版本中违背格言的模式是相似还是有变化。研究结果表明,该漫画的作者探索了违反格言来创造幽默。这种违背是在量的准则、质的准则、关联的准则和方式的准则的单一或组合上发生的。与译文相比,译文中违背准则的模式变化并不多(不到10%)。这种移位主要发生在源语中典型文化负荷的模糊性、翻译技术上对目的语读者的可接受性和可读性以及言语气球空间有限的情况下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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