Samo Philosophy of Alisher Navo’i

Abstract

Deep in content, harmonious in form the presentation of art works of the great uzbek poet and thinker Mir Alisher Navoiy leave an indelible impression in the heart of every reader. This phenomenon is far from acci-dental, since all the creations of the great thinker are permeated with the semantics of harmonious music - self. In fact, melodies and tunes that are pleasing to the human spirit are an integral part of Navoi’s poetic works. Therefore, an insightful reader in each of his works with his inner ear cap-tures the intonations of “hidden”, veiled (batin) music, and his literary he-roes sometimes vividly appear in the images of incomparable instrumental musicians and hafiz singers. At the same time, a great connoisseur of the science of the music of Navoi in his works often and skillfully uses many terms from the field of maqom art. All these factors, even more elevating their artistic significance, give them high artistic value. For, the creative heritage of the great Navoi is an invaluable source in the study of the histo-ry and philosophical concept of maqom.