DESCARTES AND THE BEAUTY IN MATHEMATICS

Raquel Anna Sapunaru, Bruna Fernandes Barbosa
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Abstract

The history of mathematics shows that its foundation, as well as its development, were given slowly, at first without much rigor, but always with creativity. The axiomatic method, theorems, propositions and rational concepts, logically arranged, were the greatest successes achieved by this science. However, mathematics is also characterized by a singular elegance, not always obvious and little explored. Considering that it is one of the bases of scientific spread and it is part of the historical and cultural structure of society, it is necessary to further deepen this characteristic. In this context, in order to prove the existence of this elegance, or rather, of the beautiful in mathematics, is used the works of philosophers and mathematicians who stood out during the elaboration of this science. The focus is on Descartes’ work The Geometry, composed of three parts. In one of them the philosopher affirms that a certain theorem is very beautiful. Thus, the starting point will be to explore the concept of beauty in Plato, towards the beautiful in mathematics.
笛卡尔和数学之美
数学的历史表明,它的建立和发展都是缓慢的,起初没有多少严谨,但总是充满创造力。公理化方法、定理、命题和逻辑排列的理性概念是这门科学取得的最大成就。然而,数学也有一种独特的优雅,并不总是显而易见的,也很少被探索。它既是科学传播的基础之一,又是社会历史文化结构的组成部分,因此有必要进一步深化这一特点。在这种背景下,为了证明数学中这种优雅的存在,或者更确切地说,数学之美,哲学家和数学家们的作品在这门科学的阐述中脱颖而出。重点是笛卡儿的作品《几何》,由三个部分组成。在其中一篇文章中,哲学家肯定某个定理是非常美丽的。因此,我们的出发点将是探索柏拉图的美的概念,朝向数学中的美。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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