Próby uobecniania tradycji w gdańskiej architekturze lat dziewięćdziesiątych XX wieku

Dominika Piluk
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Abstract

Gdansk architecture of last decade of 20th century by all means tried to reconnect to the Gdansk architectural tradition, especially the glorified 19th-century German/ Gdańsk Renaissance. The essay aims to present a preliminary analysis of the phenomenon strongly present in the Gdańsk architectural discussion in the nineties: the phenomenon of reconstruction. The city’s architectural achievements of the 19th-century were reinterpreted. Moreover, not only did architects in democratic Poland have to face a new economic situation, but also the need to emphasize the departure from the visual form imposed by the communist system, which, particularly in Gdańsk, took a form of historicism. The complex history of the city, preserved in its architecture, had a huge impact on the aesthetics of buildings designed during the transformation period. Tis thorough introduction is aimed to show commitment to the great tradition of the harbour city, which often resulted in neglecting innovations and modern architectural standards, these forced by the diffcult times of the economic change, as well as the concept of the city’s identity. The article focuses on the examples of buildings erected after 1989, as well as the public opinion debate, which jointly attempted to emphasise the mythical greatness of old Gdańsk.
1990 年代格但斯克建筑中的传统尝试
20世纪最后十年的格但斯克建筑通过各种方式试图重新连接格但斯克建筑传统,特别是19世纪德国的辉煌/ Gdańsk文艺复兴。本文旨在初步分析九十年代Gdańsk建筑讨论中强烈存在的现象:重建现象。这座城市19世纪的建筑成就被重新诠释。此外,民主波兰的建筑师不仅必须面对新的经济形势,而且还需要强调脱离共产主义制度强加的视觉形式,特别是在Gdańsk,采取了一种历史主义的形式。这座城市复杂的历史,保存在其建筑中,对转型时期设计的建筑美学产生了巨大的影响。这种彻底的介绍旨在展示对海港城市伟大传统的承诺,这往往导致忽视创新和现代建筑标准,这些都是经济变革的困难时期所迫使的,以及城市身份的概念。这篇文章的重点是1989年以后建造的建筑的例子,以及公众舆论的争论,它们共同试图强调旧Gdańsk的神话般的伟大。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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