{"title":"„Wszystkość nadciąga...” O Gomulickiego edycji kompletnej Pism Norwida – kilka uwag","authors":"P. Chlebowski","doi":"10.15290/BSL.2019.14.17","DOIUrl":null,"url":null,"abstract":"The article attempts to present in a synthetic way (also in the axiological aspect) the editorial work of Juliusz Wiktor Gomulicki. The editions of Norwid’s ouvre prepared by Gomulicki, especially the first complete edition of the poet’s writings, were published mainly in the years 1944–1989. Undoubtedly, Gomulicki’s greatest editorial success was the full coverage of Norwid’s writings. However, there were also some flaws, such as the excessive “biographisation” of his editorial commentaries, erroneous „Wszystkość nadciąga...” O Gomulickiego edycji kompletnej Pism Norwida – kilka uwag 273 readings and peculiar, in the literary sense, interpretations. Furthermore, Gomulicki marginalised Norwid’s activity in the area of plastic arts (cf. his lithograph Solo). Also his genological classifications and categorisations, which had a great influence on the layout and form of the corpus of Norwid’s writings, raise some serious doubts. Finally, it is also impossible to recognize the critical and scientific character of this publishing endeavour, which Gomulicki willingly and constantly stressed.","PeriodicalId":253723,"journal":{"name":"Białostockie Studia Literaturoznawcze","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Białostockie Studia Literaturoznawcze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15290/BSL.2019.14.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article attempts to present in a synthetic way (also in the axiological aspect) the editorial work of Juliusz Wiktor Gomulicki. The editions of Norwid’s ouvre prepared by Gomulicki, especially the first complete edition of the poet’s writings, were published mainly in the years 1944–1989. Undoubtedly, Gomulicki’s greatest editorial success was the full coverage of Norwid’s writings. However, there were also some flaws, such as the excessive “biographisation” of his editorial commentaries, erroneous „Wszystkość nadciąga...” O Gomulickiego edycji kompletnej Pism Norwida – kilka uwag 273 readings and peculiar, in the literary sense, interpretations. Furthermore, Gomulicki marginalised Norwid’s activity in the area of plastic arts (cf. his lithograph Solo). Also his genological classifications and categorisations, which had a great influence on the layout and form of the corpus of Norwid’s writings, raise some serious doubts. Finally, it is also impossible to recognize the critical and scientific character of this publishing endeavour, which Gomulicki willingly and constantly stressed.
本文试图以一种综合的方式(也从价值论的角度)来呈现尤利乌斯·维克托·戈穆利基的编辑工作。戈穆利基编写的诺维德作品的版本,特别是诗人作品的第一个完整版本,主要出版于1944年至1989年。毫无疑问,Gomulicki最大的编辑成功是对Norwid作品的全面报道。然而,也有一些缺陷,比如他的社论评论过于“传记化”,错误的“Wszystkość nadciąga……”O Gomulickiego edycji plepletnej Pism Norwida - kilka uwa73阅读和独特的,在文学意义上的解释。此外,Gomulicki边缘化了Norwid在造型艺术领域的活动(参见他的平版版画Solo)。此外,他的谱系分类和分类对诺维德著作语料库的布局和形式产生了重大影响,也引起了一些严重的质疑。最后,也不可能认识到这种出版努力的批判性和科学性,这是戈穆利基愿意并不断强调的。