Analisis Antologi Puisi Pesan Tua Karya Hendra Djafar Menggunakan Teori Semiotic

Abdul Muttalib, W. Wahyuddin, Rina Riniawati
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引用次数: 0

Abstract

This study aims to analyze the poetry anthology "Old Message" by Hendra Djafar using structuralism-semiotic theory. This type of qualitative descriptive research by conducting library research (library research) through relevant reading materials. The analysis was carried out on three poems, “I am a Orderly Poetry,” “Salawatku,” and "Old Message" which are considered to represent the tendencies of Hendra Djafar's poetry in the types of ballads, odes and contemporary. The analysis of the three poems is then analyzed using the theory analysis are: 1). The dimensions of the icon are analyzed from the power of saying "I" lyrics as a poet as well as acting as a dominant-looking narrator, 2). The index dimension implies that there is tension between the form and content of the poem, contradictions in the psychological dimension between messages and impressions, as well as between exclamations and criticisms, 3). Although the dimensions of arbitrary symbols are not widely found.
运用符号学理论分析亨德拉-贾法尔的《古信息诗选
本研究旨在运用结构主义-符号学理论分析亨德拉·贾法尔的诗集《旧信息》。这种通过相关阅读材料进行图书馆研究(library research)的定性描述性研究。分析了《我是一首有序的诗》、《萨拉瓦库》和《旧信息》三首诗,认为这三首诗代表了亨德拉·贾法尔诗歌在民谣、颂歌和现代派类型上的倾向。然后运用理论分析对这三首诗进行分析,分别是:1)从诗人说“我”的力量和作为主导性叙述者的力量来分析图标的维度;2)索引维度暗示诗歌的形式与内容之间存在张力,信息与印象之间存在心理维度的矛盾,感叹号与批评之间存在矛盾;3)尽管任意符号的维度并不普遍。
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