Dredging, drilling, and mapping television’s swamps: An interview with John Caldwell on the 20th anniversary of Televisuality

M. Stauff, J. Caldwell
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引用次数: 1

Abstract

In 1995, John Caldwell’s Televisuality: Style, Crisis and Authority in American Television familiarised media studies with a heterodox methodology, mixing formal analysis and technical insights with work floor knowledge with elaborate theorising. In this interview Caldwell describes how this approach emerged from a conjuncture of practices as different as art school, farm labor, and high theory. Instead of defining the theoretical essence of the medium this combination of approaches allowed for a recursive mapping and drilling of television’s dynamics. Caldwell claims the ‘commercial media industrial systems’ can neither be understood nor effectively criticised with a one-sizefits-all approach; rather, only if we seriously take into account the changing concepts and practices that emerge within these systems. This also requires a pedagogy which does not teach a well-defined model of analysis but rather makes room for collaborative, open-ended research.
疏浚、钻探和绘制电视的沼泽:在电视诞生20周年之际对约翰·考德威尔的采访
1995年,约翰·考德威尔(John Caldwell)的《电视:美国电视的风格、危机和权威》(televisality: Style, Crisis and Authority In American Television)使媒体研究熟悉了一种非正统的方法论,将形式分析和技术见解与工作场所知识与精心设计的理论化相结合。在这次采访中,考德威尔描述了这种方法是如何从艺术学校、农场劳动和高等理论等不同实践的结合中出现的。而不是定义媒体的理论本质,这种方法的组合允许递归映射和钻电视的动态。考德威尔声称,“商业媒体工业系统”既不能理解,也不能用一刀切的方法有效地批评;相反,只有我们认真考虑到这些系统中出现的不断变化的概念和实践。这也需要一种教学法,这种教学法不是教授一个定义明确的分析模型,而是为合作的、开放式的研究留出空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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