Le miroir déformant de la littérature: portraits dans La Force du Désir de Marie Krysinska

E. M. Wierzbowska
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引用次数: 0

Abstract

The Distorting Mirror of Literature: Character Portraits in "La Force du Désir" by Marie Krysinska A roman à clef, where the presence of fictional and nonfictional elements is obvious, is a powerful framework for literary portraits of the author’s contemporaries. The degree of deformation, be it glamorizing or devaluing, depends on several factors, among which the pleasure of playing hide and seek is not the least. Each reference, even a demeaning one, brings out of the shadow of the past both prominent and background characters, as well as important events, all from the author’s point of view. Through this display, an image of a very complex environment emerges, where the worst rubs shoulders with the best, and where the constraints of daily life or loyalty to ideals impose difficult choices with very serious consequences. The author observes the sociological phenomena that affect her environment and, while making sharp criticisms, seeks to find a remedy for the wound that destroys Art and the Artist.
文学的扭曲镜子:玛丽·克里辛斯卡欲望力量中的肖像
文学的扭曲之镜:玛丽·克里辛斯卡·罗曼·克莱夫的《忧郁的力量》中的人物肖像,其中虚构和非虚构元素的存在是显而易见的,是作者同时代人文学肖像的有力框架。变形的程度,是美化还是贬值,取决于几个因素,其中捉迷藏的乐趣并不是最不重要的。每一个引用,即使是贬损的引用,都从作者的角度带来了过去的阴影,包括突出的和背景的人物,以及重要的事件。通过这种展示,一个非常复杂的环境形象浮现出来,在这里,最坏的与最好的擦肩而过,在这里,日常生活的限制或对理想的忠诚迫使人们做出艰难的选择,并带来非常严重的后果。作者观察了影响她所处环境的社会现象,在提出尖锐批评的同时,试图找到一种治疗摧毁艺术和艺术家的伤口的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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