Unpublished Shroud of Djedhor at Hurghada Museum: Iconographic Examining and Conservation for Late Painted Linen

Tamer Fahim, Abdel-Rahman El-Serogy, A. Ebied
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Abstract

The ancient Egyptians have done their best to preserve mummy corpses from decay and corruption. They have taken all measures from the Pre-dynastic period till the end of history aiming at the resurrection. One of these measures was the shroud. It was typically wrapped around the mummy after the mummification process and became important during the Late Period to Graeco -Roman because it has replaced the coffin itself. The authors aim to study in-depth this unpublished shroud of Djedhor’s coffin "TR 1.11.16.5(b), SR 4/ 11332(b)" by taking scenes, comparing it to other shrouds, and analyzing the performance. This paper also illuminates the religious significances which were behind the decorations and texts on this shroud in the shade of the coffin to introduce a complete image of the role of the shroud. The decorations of the shroud have been executed based on the plan for the whole coffin. All decorations were organized well aiming to resurrection. On the conservation side of the Djedhor’s shroud, the authors used multidisciplinary methodologies for description, documentation, and conservation of archaeological shroud at Hurghada Museum. Finally, we'll discuss some new explanations for the shroud's decorations in relation to other shrouds from the same time period.
赫尔格达博物馆未出版的杰多尔裹尸布:后期彩绘亚麻布的图像检查和保护
古埃及人尽了最大的努力来保护木乃伊免于腐烂和腐败。从前王朝时期到历史终结,他们采取了一切旨在复活的措施。其中一项措施就是裹尸布。它通常在木乃伊制作过程后包裹在木乃伊身上,在希腊罗马晚期变得很重要,因为它取代了棺材本身。作者旨在通过拍摄场景,与其他裹尸布进行比较,并分析其性能,深入研究这一未发表的Djedhor棺材裹尸布“TR 1.11.16.5(b), SR 4/ 11332(b)”。本文还阐明了棺木阴影处裹尸布上的装饰和文字背后的宗教意义,以介绍裹尸布作用的完整形象。裹尸布的装饰是根据整个棺材的设计来完成的。所有的装饰都组织得很好,目的是为了复活。在杰多尔裹尸布的保护方面,作者使用多学科方法对赫尔格达博物馆的考古裹尸布进行了描述、记录和保护。最后,我们将讨论与同一时期的其他裹尸布相关的裹尸布装饰的一些新的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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