«ANOTHER WORD» IN MODERN RUSSIAN LITERATURE: INTERTEXTUAL REFRACTIVE VECTORS

G. V. Denisova
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Abstract

Subject of the article: problems of intertextual refraction in contemporary artistic discourse. Object of the article: "dialogue" in Russian prose of the late XX-early XXI centuries. The goal of the project: to actualize the ideas of M.М. Bakhtin for contemporary literary criticism. Methodology of work: the context of studying the scientific creativity of M.M. Bakhtin with the help of literary and cultural approaches. Results of the work: a parody contributing to the construction of a different artistic paradigm in the culture of the XXI century. turned out to be a rather rare phenomenon, since intertextual strategies ceased to lead to building on interpretative delimitation along the line of authorship of lyric intonation of comprehension and rethinking, transforming myths into poetry. Field of application of the results: a dialogue that reflected a new multi-level way of researching Bakhtin's works, as the basis for the formation of a new artistic paradigm. Conclusion: in the development of artistic discourse at the turn of the XX-XXI centuries. two vectors complement each other clearly stand out. The first is engaged in the search for new artistic means of expression and is caused by the need to understand the changes that have taken place at the level of linguocultural behavior and the desire for a certain synthesis. The second vector, which is a reaction to the mental and stylistic complex of postmodernism as a cultural mainstream, is characterized by a return to the sphere of non-reflective discourse. The conclusions presented in the scientific review are reasoned and logical.
现代俄罗斯文学中的“另一个词”:互文折射向量
本文的主题是:当代艺术话语中的互文折射问题。本文的研究对象是:20世纪末至21世纪初俄罗斯散文中的“对话”。该项目的目标是:实现M.М的理念。巴赫金的当代文学批评。工作的方法论:在文学和文化方法的帮助下研究巴赫金的科学创造力的背景。作品的结果是:在二十一世纪的文化中,一种模仿有助于构建不同的艺术范式。这是一个相当罕见的现象,因为互文策略不再导致沿着理解和重新思考的抒情语调的作者的路线建立解释性的界限,将神话转化为诗歌。研究成果的应用领域:一种对话,反映了巴赫金作品研究的一种新的多层次方式,并以此为基础形成新的艺术范式。结语:在20 - 21世纪之交的艺术话语发展中。两个向量的互补很明显。第一种是寻求新的艺术表现手段,其原因是需要了解在语言文化行为层面上发生的变化以及对某种综合的渴望。第二个向量是对后现代主义作为一种文化主流的心理和风格情结的反应,其特点是回归到非反思性话语的领域。科学评论中提出的结论是合理的和合乎逻辑的。
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