Students musical preferences for classical music, 20th century music, and world music - the open-earedness hypothesis

Snježana Dobrota, Marija Sarajčev
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引用次数: 1

Abstract

The paper explores students’ preferences for classical music, 20th century music, and world music, as well as the influence of student age, gender, and previous familiarity with the piece of music on the preferences for 20th century music and world music. As a part of the research, a general data ques[1]tionnaire and an assessment scale for testing preferences for musical fragments were administered to the sample of 183 students in fourth and eighth grades of primary school and senior students attending grammar school. Students gener[1]ally show greatest preferences for world music. The influence of age on the pref[1]erences for 20th century music and world music has been confirmed. Female students, compared to male students, show greater preferences for 20th century music, while in the case of world music, no statistically significant differences were observed with respect to gender. It has been confirmed that students show greater preferences for familiar music, compared to unfamiliar music. The fact that younger students are more open to different musical styles can have significant implications for designing musical activities for children of preschool and early school age
学生对古典音乐、20世纪音乐和世界音乐的音乐偏好——开放性假设
本文探讨了学生对古典音乐、20世纪音乐和世界音乐的偏好,以及学生年龄、性别和之前对音乐的熟悉程度对20世纪音乐和世界音乐偏好的影响。作为研究的一部分,对183名小学四年级和八年级学生以及文法学校的高中生进行了一般数据问卷[1]和音乐片段偏好测试量表的调查。学生[1]普遍对世界音乐表现出最大的偏好。年龄对20世纪音乐和世界音乐偏好的影响[1]已经得到证实。与男学生相比,女学生对20世纪音乐表现出更大的偏好,而在世界音乐的情况下,在性别方面没有观察到统计学上的显著差异。已经证实,与不熟悉的音乐相比,学生对熟悉的音乐表现出更大的偏好。年龄较小的学生对不同的音乐风格更开放,这一事实对于为学龄前儿童和学龄早期儿童设计音乐活动具有重要意义
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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