Digital Imperfection

Federico Garrido, Joy Samuel, Rodrigo Brum, Christian Schmitt
{"title":"Digital Imperfection","authors":"Federico Garrido, Joy Samuel, Rodrigo Brum, Christian Schmitt","doi":"10.2218/ear.2022.6653","DOIUrl":null,"url":null,"abstract":"Digital Imperfection was a temporary installation at the German University in Cairo (GUC) that combined the use of mixed-reality tools and earth as a sustainable and multifaceted material. The project involved two separate processes that came together during the final montage procedure: on the one hand, the design of handmade earth bricks, and on the other, the design of a parametric wall and the coding of the montage procedure on the mixed-reality platform. \nThe project aimed to reconnect both students and a wider audience with a traditional craft through the use of modern digital tools. Hand-crafted bricks were stacked to create a wall with the help of a HoloLens device, which overlaid a digital four-dimensional model over the physical world. Despite the mediation of digital apparatus, the aim was to engage participants in a comprehensive workflow that involved aspects of both handmade production and interactive assembly, rather than promoting a mere robotic process. During the research phase, we investigated the relationship between high-tech and low-tech tools through the following questions: \n• How can we incorporate digital technology without losing human interaction? \n• How can we measure and account for manufacturing imperfections? \n• How can we minimise those imperfections within the design and its montage? \n• What benefits and opportunities are offered by the combination of low- and high-tech techniques?  \nThe process accounted for various imperfections and height irregularities (resulting, for example, from differences in mortar thickness or manufacturing), sustaining a constant loop with real-time feedback: the physical model was updated with new bricks while the digital model was updated with height corrections. \nThe research offers multiple benefits. Firstly, it introduces students (and a broader academic public) to the use of sustainable materials in combination with parametric design. Secondly, it produces a digitally-designed installation (of relative complexity) without the need for printed documentation. Finally, it demonstrates a resource-saving method in which both building procedure and instructions are entirely virtual, eliminating the need for framework or printed plans. \nDigital Imperfection puts humans at the centre of the digital assembly process; humans are not replaced by robots or algorithms but instead collaborate with them in ways that maximise the advantages they offer. \n ","PeriodicalId":349624,"journal":{"name":"Edinburgh Architecture Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edinburgh Architecture Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2218/ear.2022.6653","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Digital Imperfection was a temporary installation at the German University in Cairo (GUC) that combined the use of mixed-reality tools and earth as a sustainable and multifaceted material. The project involved two separate processes that came together during the final montage procedure: on the one hand, the design of handmade earth bricks, and on the other, the design of a parametric wall and the coding of the montage procedure on the mixed-reality platform. The project aimed to reconnect both students and a wider audience with a traditional craft through the use of modern digital tools. Hand-crafted bricks were stacked to create a wall with the help of a HoloLens device, which overlaid a digital four-dimensional model over the physical world. Despite the mediation of digital apparatus, the aim was to engage participants in a comprehensive workflow that involved aspects of both handmade production and interactive assembly, rather than promoting a mere robotic process. During the research phase, we investigated the relationship between high-tech and low-tech tools through the following questions: • How can we incorporate digital technology without losing human interaction? • How can we measure and account for manufacturing imperfections? • How can we minimise those imperfections within the design and its montage? • What benefits and opportunities are offered by the combination of low- and high-tech techniques?  The process accounted for various imperfections and height irregularities (resulting, for example, from differences in mortar thickness or manufacturing), sustaining a constant loop with real-time feedback: the physical model was updated with new bricks while the digital model was updated with height corrections. The research offers multiple benefits. Firstly, it introduces students (and a broader academic public) to the use of sustainable materials in combination with parametric design. Secondly, it produces a digitally-designed installation (of relative complexity) without the need for printed documentation. Finally, it demonstrates a resource-saving method in which both building procedure and instructions are entirely virtual, eliminating the need for framework or printed plans. Digital Imperfection puts humans at the centre of the digital assembly process; humans are not replaced by robots or algorithms but instead collaborate with them in ways that maximise the advantages they offer.  
数字不完美
Digital Imperfection是位于开罗德国大学(GUC)的一个临时装置,它结合了混合现实工具和地球的使用,作为一种可持续的、多方面的材料。该项目涉及两个独立的过程,在最后的蒙太奇过程中结合在一起:一方面,手工土砖的设计,另一方面,参数化墙的设计和蒙太奇过程在混合现实平台上的编码。该项目旨在通过使用现代数字工具将学生和更广泛的观众与传统工艺重新联系起来。在HoloLens设备的帮助下,手工制作的砖块堆叠成一堵墙,在物理世界上覆盖了一个数字四维模型。尽管采用了数字设备,但目的是让参与者参与到一个全面的工作流程中,包括手工制作和互动组装,而不仅仅是促进机器人过程。在研究阶段,我们通过以下问题调查了高科技和低技术工具之间的关系:•我们如何在不失去人际互动的情况下融入数字技术?我们如何测量和解释制造缺陷?•我们如何将设计和蒙太奇中的缺陷最小化?•低技术和高技术的结合带来了什么好处和机会?这个过程解释了各种缺陷和高度不规则(例如,砂浆厚度或制造的差异),通过实时反馈维持一个恒定的循环:物理模型用新砖更新,而数字模型用高度修正更新。这项研究提供了多种好处。首先,它向学生(以及更广泛的学术公众)介绍了可持续材料与参数化设计相结合的使用。其次,它产生一个数字设计的装置(相对复杂),而不需要打印文档。最后,它展示了一种节省资源的方法,其中建筑过程和指令都是完全虚拟的,不需要框架或打印计划。数字缺陷将人类置于数字组装过程的中心;人类不会被机器人或算法取代,而是与它们合作,最大限度地发挥它们提供的优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信