Avian Poetics in Charles Olson’s “Merce of Egypt” and Robert Creeley’s “The Birds”: Projective Experimentation as an Eco-Vision

H. Yulianto
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Abstract

Form and content in poetry are two interconnected elements. Black Mountain poets such as Charles Olson and Robert Creeley are two exemplary originators who orchestrate ‘projective verse’ and jazz prosody in their poems. Their works represent new poetics out of Black Mountain College in Asheville, North Carolina as the experimental school of arts and literature in the 1950s. This article discusses Olson and Creeley’s avian poetics since some of their poems depict the image of bird as well as trees. Despite the avant-garde poetic experimentation, the nature of interconnected elements in their poems evokes a biocentric view of the need for conserving nonhuman beings such as birds and vegetation since these natural agents have pivotal roles in sustaining an ecosys-
查尔斯·奥尔森的《埃及的摩斯》和罗伯特·克里利的《鸟》中的鸟类诗学:作为生态视野的投射实验
诗歌的形式和内容是两个相互联系的要素。像查尔斯·奥尔森和罗伯特·克里利这样的黑山诗人是两位杰出的创始者,他们在诗歌中编排了“投射诗”和爵士韵律。他们的作品代表了20世纪50年代北卡罗来纳州阿什维尔的黑山学院作为艺术和文学的实验学校的新诗学。本文探讨奥尔森和克里利的鸟类诗学,因为他们的一些诗歌既描绘了鸟的形象,也描绘了树的形象。尽管有先锋派的诗歌实验,但他们诗歌中相互联系的元素的本质唤起了一种以生物为中心的观点,即需要保护非人类,如鸟类和植被,因为这些自然因素在维持生态系统中起着关键作用
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