The Architecture of Postmodernism in Japan: the Main Features

N. Konovalova
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引用次数: 1

Abstract

The architecture of postmodernism, as a western invention, was received with great interest in Japan. Of the huge number of materials, creative means, images and symbols that could be seen in the postmodern works by Western architects, Japanese masters did not take any interest in a particular school or trend. The Japanese met the new movement from the West as an image of the new epoch in general — the epoch of play and experiments, free from any rules. Changing socio-economic conditions resulted in the emergence of popular architecture and the play with styles and trends. That is why among the researchers the following question remains open: Was postmodernism an independent stylistic movement in Japanese architecture? Or alternatively, were they separate bold experiments by Japanese architects with no unifying theory or school — a phenomenon that could be more precisely called “pluralism”? Keywords—the architecture of postmodernism in Japan; the Japanese architecture of the 1980-1990s; pluralism in
日本后现代主义建筑的主要特征
后现代主义建筑作为西方的发明,在日本受到了极大的关注。在西方建筑师后现代主义作品中可以看到的大量材料、创作手段、图像和符号中,日本大师并没有对某一流派或趋势感兴趣。日本人将来自西方的新运动视为新时代的总体形象——一个游戏和实验的时代,没有任何规则。不断变化的社会经济条件导致了流行建筑的出现以及风格和趋势的变化。这就是为什么在研究人员中仍然存在以下问题:后现代主义在日本建筑中是一个独立的风格运动吗?或者,它们是由日本建筑师独立进行的大胆实验,没有统一的理论或流派——这种现象可以更准确地称为“多元主义”?关键词:日本后现代主义建筑;1980- 90年代的日本建筑;多元化的
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