MARK AS NARRATIVE (Plot and Structure of Mark 4,35-8,30)

Ferry Hartono
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Abstract

Every literature consists of Story and Plot, or should I say, series of events. While the Story is about what happened literally, the Plot is more about how the narrator explains what happened. Aristotle alleged that the Plot and Structure were the most important elements in of a Tragedy (Poetics VI,5; VII,1). However, the success of a story also depends on the rendering of Character (Poetics VI,5). Therefore, the study about Characters in  Narrative  Criticism  is  necessary  to  conclude  the  exploration  of  a literature.  Gospel  of  Mark,  as  presented  in  this  paper  is  through  and through a story. Study of plot and structure in it, therefore, is necessary to build the sufficient base for study of character. This research paper is dedicated mainly on plot of the Gospel of Mark, particularly Mark 4,35-8,30. To understand the plot, it is essential to know the style and context of the literature at hand, facts about the author and the setting of the story.
马可福音叙事(马可福音4,35-8,30的情节和结构)
每一种文学都是由故事和情节组成的,或者我应该说,是一系列的事件。虽然故事是关于发生了什么,但情节更多的是关于叙述者如何解释发生了什么。亚里士多德认为情节和结构是悲剧中最重要的元素(《诗学》VI,5;第七,1)。然而,一个故事的成功也取决于人物的渲染(诗学VI,5)。因此,对叙事批评中的人物进行研究,是对一部文学探索的结语。马可福音,就像论文中提到的,是一个彻头彻尾的故事。因此,对其情节和结构的研究是为研究人物奠定充分基础的必要条件。本文主要研究马可福音的情节,特别是马可福音4章35-8节和30节。为了理解情节,了解手头文学作品的风格和背景、作者的事实和故事的背景是必不可少的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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