Panteleimon Kulish’s symbolic imagery in comparison to the cristian and mythological archetypal symbolism (based on the story “granny from the other world”).

N. Kravchenko
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引用次数: 2

Abstract

. The paper focuses on the symbolic imagery of the P. Kulish's story “Granny from the other World” in the framework of its relation to the fairy tale / mythological and Christian word pictures. The research aims at identifying the symbolic images of the Kulish‟s story in their comparison to Christian and mythological concepts while undertaking the images‟ comparative semiotic and archetypal analysis. To achieve the purpose, we have applied the methodology composing of the methods of archetypal analysis, text and contextual interpretation analysis, elements of the structural-narrative, stylistic and comparative analysis. The major findings refer to the identification of the Kulish‟s story symbolic imagery in its comparison to the fairy tale and Christian archetypal symbolism. The similarities between the images of the story and mythological world picture encompass the human soul metamorphosis into an animal or a bird based on totemic beliefs and mythological motif of the reincarnation; the images of mediators and loci of transition to another world, the inner “structure” of the other world and a boundary space between the worlds; images of the sacred trees significant for mythological consciousness of the Ukrainians. Some fairy-tale images are metaphorically reinterpreted within the framework of the Christian worldview. Correlative symbolic images differ in their archetypal basis rooted it either Christian or mythological world pictures. Figurative symbolism of Hell in Kulish's story matches Christian symbolic imagery in regards of the "mirror" iconicity, reproducing the "structural" similarity between the nature of sin and its resulting punishment. A description of the symbolic images of the P. Kulish‟s story contributes to the further study of the archetypally-bound belief system of the Ukrainians.
潘特莱蒙·库利什的象征意象与基督教和神话原型象征的比较(基于“来自另一个世界的奶奶”的故事)。
. 本文从童话/神话和基督教文字意象的关系入手,探讨了P.库利什小说《来自另一个世界的奶奶》的象征意象。本研究旨在通过与基督教和神话概念的比较,识别库利什人故事中的象征形象,并对这些形象进行比较符号学和原型分析。为了达到这一目的,我们运用了原型分析方法、文本和语境解释分析方法、结构叙事元素、风格分析和比较分析方法组成的方法论。主要发现是通过与童话和基督教原型象征的比较,确定了库利什人的故事象征意象。基于图腾信仰和轮回的神话母题,故事意象与神话世界图景的相似性包含了人的灵魂蜕变为兽或鸟;中介和过渡到另一个世界的轨迹的形象,另一个世界的内部“结构”和世界之间的边界空间;神圣的树的形象对乌克兰人的神话意识很重要。一些童话形象在基督教世界观的框架内被隐喻性地重新诠释。相关的象征形象在其原型基础上是不同的,无论是基督教的还是神话的世界图像。在库利什的故事中,地狱的象征象征与基督教的象征意象在“镜子”的象似性方面相吻合,再现了罪的本质与由此产生的惩罚之间的“结构”相似性。对P. Kulish故事中象征性形象的描述有助于进一步研究乌克兰人的原型信仰体系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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