Fame Labor: A Critical Autoethnography of Australian Digital Influencers

J. Mavroudis
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引用次数: 5

Abstract

Abstract This chapter reports on findings from a critical autoethnography (Anderson, 2006) about the strategies and experiences of male microcelebrities from Australia. The author Jonathan Mavroudis, himself identifies as a microcelebrity with a following of over 27,000 on Instagram at the time of writing. This position granted him insider access to this specific cohort and the microcelebrity world in general. The study comprised participant interviews, analyses of the author’s own experiences, and a survey of over 500 of his Instagram followers. The author draws from these data sources to introduce the concept of “fame labor.” Fame labor reconfigures the way visibility labors such as self-branding labor is understood. It offers a macro perspective that relates to nonmicrocelebrities as well as microcelebrities and illuminates potential wider implications of microcelebrity culture.
名声劳动:澳大利亚数字影响者的批判性自我民族志
本章报告了安德森(Anderson, 2006)关于澳大利亚男性微名人的策略和经验的批判性自我民族志研究结果。作者乔纳森·马夫鲁迪斯(Jonathan Mavroudis)本人是一位微名人,在撰写本文时,他在Instagram上拥有超过2.7万名粉丝。这个职位让他有机会进入这个特定的群体,以及整个微名人世界。这项研究包括对参与者的采访、对作者自身经历的分析,以及对他的Instagram上500多名粉丝的调查。作者从这些数据来源中引入了“名誉劳动”的概念。名声劳动重新配置了自我品牌劳动等可见性劳动的理解方式。它提供了一个涉及非微名人和微名人的宏观视角,并阐明了微名人文化的潜在更广泛的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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