AN ATTEMPT TO ANALYZE IN THE CONTEXT OF INTERTEXTITARIAN IN HÜSREV HATEMİ'S POEMS

Yakup Gelir
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Abstract

Intertextuality, which emerged after 1960, is referred to by making literary aestheticism and polyphony visible and multiplying the layers of meaning. The ability to associate texts with each other, to read the text in different ways and to produce meaning in each reading, to provide the writer and reader with the autonomy of writing and meaning, to carry out the textual mobility between the two by carrying the previous texts to the present, to tell the universe and the human by positioning the text in space with its intellectual, historical and artistic aspects. Intertextuality, which draws attention by prioritizing its concern, has always been in the spotlight in the world of art and thought with these features. The process, which started with the conceptualization of the expression in Continental Europe, found a response in Turkish literature as discussion, literary production, and designing the text accordingly. In this sense, Hüsrev Hatemi is one of the artists to be followed/to be followed with interest in terms of circulating literary productivity and concept in Turkish literature. Intertextuality in Hatemi in his poetry adventure that lasted for many years; intertwined with religion, culture, history and thought; It is related to the age, man and the universe, and has a quality that makes the human visible by bringing the meaning from disjointed parts to a spatial integrity. In this context, intertextuality in his poetry world; having a say in the construction of the text, deepening, expanding and spreading the meaning; It has a feature that makes it necessary to talk about other texts. Another emerging aspect of the concept of intertextuality, which is seen in Hatemi with this face-to-face aspect, is its focus on the people of the age. Intertextuality symbolizes the will for solution for the human profile of the age, which appears with restlessness, seeking, existentialism. Here, human, the universe, meaning, reaching other texts and clarifying the visibility of the text, the search for truth and self of the human, moving the text from a sterile atmosphere to a social atmosphere are the prominent issues. In this study, the reason for the construction of intertextuality in Hüsrev Hatemi's poems, its relationship with people and art, and the universe of meaning of the texts in which it is included are discussed.
在互文主义语境下分析hÜsrev hatemİ诗歌的尝试
1960年以后出现的互文性,指的是使文学的唯美主义和复调变得可见,使意义的层次倍增。能够将文本相互联系起来,以不同的方式阅读文本,并在每次阅读中产生意义,为作者和读者提供写作和意义的自主性,通过将以前的文本带到现在,在两者之间进行文本流动,通过将文本定位在空间中,以其智力,历史和艺术方面来告诉宇宙和人类。互文性以其优先关注的方式引起人们的关注,一直以这些特点成为艺术界和思想界的焦点。这一过程始于欧洲大陆对表达的概念化,在土耳其文学中得到了回应,包括讨论、文学创作和相应的文本设计。从这个意义上说,h斯列夫·哈特米是土耳其文学中流传的文学生产力和观念值得关注的艺术家之一。哈代米多年诗歌冒险中的互文性;与宗教、文化、历史和思想交织在一起;它与时代、人类和宇宙有关,并具有通过将意义从脱节的部分带到空间的完整性而使人类可见的品质。在此背景下,他诗歌世界中的互文性;参与文本的建构,深化、拓展和传播意义;它有一个特点,使它有必要谈论其他文本。互文性概念的另一个新兴方面,在Hatemi的作品中可以看到这种面对面的方面,是它对那个时代的人的关注。互文性象征着对时代人类形象的解决意志,它以不安、寻求、存在主义的形式出现。在这里,人,宇宙,意义,到达其他文本并澄清文本的可见性,寻找人的真理和自我,将文本从贫瘠的氛围中移到社会氛围中是突出的问题。本文探讨了海特米诗歌互文性建构的原因,它与人、艺术的关系,以及包含互文性的文本的意义宇宙。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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