Le vite dell’Altro Aleksandar Hemon tra Autofiction, Autobiografia e Allofiction

Enrico Davanzo
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Abstract

This article examines the recurring mixture of fiction and autobiographical themes in the work of Bosnian-American writer Aleksandar Hemon, whose writings can be placed close to the literary genre known as Autofiction. These traits occur also in his latest production, exemplified by The Book of My Lives (2013) and My Parents / This Does Not Belong To You (2019). In these two books the attention paid by the author to his relatives’ experiences may led to a comparison with the autofiction subgenre defined by A.K. Mortimer as ‘Allofiction’. Studying these features, my intent is to analyze how Hemon’s stylistic choices have been affected by his condition of other both in the USA and postwar Bosnia.
另一个亚历山达尔·赫蒙的生活介于自传、自传和同人小说之间
本文检视波黑裔美国作家亚历山大·赫蒙(Aleksandar Hemon)作品中反复出现的虚构与自传体主题的混合,他的作品可以被归入自传体文学流派。这些特点也体现在他的最新作品中,如《我的生活之书》(2013)和《我的父母/这不属于你》(2019)。在这两本书中,作者对其亲属经历的关注可能会导致与A.K.莫蒂默定义为“同种小说”的自传体小说亚类型进行比较。研究这些特点,我的目的是分析Hemon的风格选择是如何受到他在美国和战后波斯尼亚的其他条件的影响的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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