ПЕРСОНАЛІЇ І ПРОСТІР ПАМ’ЯТІ ПРО ГОЛОКОСТ У СУЧАСНІЙ УКРАЇНСЬКІЙ ЛІТЕРАТУРІ

Наталія Горбач
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引用次数: 1

Abstract

The Holocaust theme was concealed and falsified for a long time because of non-literary reasons. Therefore, only when our country got its independence, a lot of aspects became clarified – especially the increasing of geographical markers of the Shoah, the aspect of memory and traumas of its victims and witnesses, the aspects of a woman history of the Holocaust etc. One of actual problems of nowadays is the problem of personalization of the Holocaust history with including the names of victims, saved and saviors for extending the space of memory about the tragedy of European Jews in the times of WWII. Literature, as well as historical science and commemorative practices, actively participates in this. The object of our attention in the following article is modern Ukrainian prose – novels “Sonya” (2013) by K. Babkina, “Me, You, And Our Drawn And Undrawn God” (2016) by T. Pakhomova, “A Story Worthy of a Whole Apple Orchard” (2017) by M. Dupeshko, “The Beech Land” (2019) by M. Matios. The aim of investigation is the characters of victims and saviors who have real prototypes: an icon of the Holocaust in Poland and Liublin, 9-years-old Henio (Henryk Zhytomirski), Righteous Among the Nations Maria and Stepan Vrublevski (Maria and Stepan Sichevliuk-Vrublevski), the Chernivtsi poet Selma Meerbaum- Eisinger, the mayor of Chernivtsi Traian Popovici, the diplomats Grzegorz Szymonowicz and Fritz Schellhorn. Implementation the life stories of real personalities into fictional form leads to expanding the memory about the Holocaust in Ukraine, and it’s also a way of creating a modern culture of memory, that is particularly important in a context of the international tendencies of finding the common understanding through awareness of a personal responsibility of others’ lives, and non-admission of repeating the tragic pages of the XX ct. history, one of those was the Holocaust. Since the long-term silence of the traumatic experience of the Holocaust victims didn’t create an intergenerational connection in the process of transmitting the memory of the Holocaust, modern literature, with its artistic construction of the past, becomes not only a tool for spreading knowledge about the Shoah, but also a way of creating the cultural memory about this tragedy. The prospect of further research of the following aspect is seen in a deep analysis of new examples of both Ukrainian and translated literature, including novels written by authors that are biographically related to Ukraine.
乌克兰当代文学中的个性与大屠杀记忆空间
由于非文学原因,大屠杀主题长期被隐瞒和篡改。因此,只有在我国获得独立后,许多方面才得以澄清,特别是大屠杀的地理标志越来越多,受害者和目击者的记忆和创伤方面,大屠杀的妇女历史方面等。当今的实际问题之一是大屠杀历史的个人化问题,包括受害者,被拯救者和拯救者的名字,以扩大对二战时期欧洲犹太人悲剧的记忆空间。文学,以及历史科学和纪念实践都积极参与其中。下面这篇文章关注的是乌克兰现代散文——K. Babkina的小说《索尼娅》(2013)、T. Pakhomova的小说《我、你和我们画出来的和画不出来的上帝》(2016)、M. Dupeshko的小说《一个值得一整个苹果园的故事》(2017)、M. Matios的小说《山毛榉地》(2019)。调查的目标是具有真实原型的受害者和拯救者的性格:波兰和柳林大屠杀的偶像,9岁的亨尼奥(亨利克·日托米尔斯基),正义的国家玛丽亚和斯特潘·弗鲁勃列夫斯基(玛丽亚和斯特潘·西切夫柳克-弗鲁勃列夫斯基),切尔诺夫茨的诗人塞尔玛·米尔鲍姆-艾辛格,切尔诺夫茨的市长特拉扬·波波维奇,外交官格热戈兹·西莫诺维奇和弗里茨·谢尔霍恩。将真实人物的生活故事运用到虚构的形式中,可以扩大对乌克兰大屠杀的记忆,这也是创造现代记忆文化的一种方式,这在通过意识到个人对他人生命的责任而寻求共识的国际趋势背景下尤为重要,并且不承认重复20世纪30年代的悲惨篇章。历史,其中之一就是大屠杀。由于对大屠杀受害者创伤经历的长期沉默并没有在传递大屠杀记忆的过程中建立代际联系,现代文学通过对过去的艺术建构,不仅成为传播大屠杀知识的工具,而且成为创造关于这一悲剧的文化记忆的一种方式。深入分析乌克兰文学和翻译文学的新例子,包括与乌克兰有传记关系的作者所写的小说,可以看到以下方面进一步研究的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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