Tony Harrison’s Polygonal Ode to Delphi

O. Taplin
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Abstract

This chapter sets out to map the leading themes and motifs in Tony Harrison’s recent long poem, Polygons (2015). It particularly traces the poets alluded to, and the places around Delphi which recur in vivid evocation. These are woven together to create a highly personal response to a locality that has meant a great deal to the poet, incorporating his work there, which included Trackers; his close collaborations with Jocelyn Herbert; the loving companionship of Sian Thomas; Mount Parnassus, especially Melpomene the Muse of tragedy; the addictive and restorative qualities of the waters of Castalia. The news of the death of Seamus Heaney, which reached him at Delphi in 2013 leads him to elegiac thoughts on his own survival and mortality. The overarching claim is that this poem has many of the characteristics of Tony Harrison’s most creative Poetry.
托尼·哈里森的多边形德尔福颂歌
本章旨在描绘托尼·哈里森最近的长诗《多边形》(2015)中的主要主题和主题。它特别追溯了所提到的诗人和德尔斐周围的地方,这些地方在生动的回忆中反复出现。这些都交织在一起,对一个对诗人意义重大的地方做出了高度个人化的回应,包括他在那里的作品,其中包括《追踪者》;他与乔斯林·赫伯特的密切合作;希恩·托马斯的友爱陪伴;帕纳萨斯山,尤其是悲剧的缪斯女神美尔波墨涅;卡斯塔利亚水的令人上瘾和恢复的特性。2013年,谢默斯·希尼(Seamus Heaney)在德尔菲(Delphi)去世的消息让他对自己的生存和死亡产生了哀伤的想法。最重要的是,这首诗具有托尼·哈里森最具创造性诗歌的许多特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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