American Cultural Primacy in a New Media Order

J. Chalaby
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引用次数: 44

Abstract

The paradigmatic shift from cultural imperialism to globalization in international communication has transformed the research agenda of the discipline. While new issues have come to the fore, others, such as the American pre-eminence in the world media market, tend to be ignored. This article revisits the old question of American dominance from the perspective of the new paradigm and suggests replacing the concept of cultural imperialism with that of cultural primacy. This shift allows us to analyse a salient fact of contemporary international communication without taking on board the assumptions and ideological biases of the cultural imperialism thesis. The article contrasts the limited reach of European media players with the global scope of US conglomerates and shows the extent of American dominance of the European audiovisual market. It argues that US-based media groups are set to become yet more prominent in the era of multichannel television because they have successfully adopted localization of content as an international strategy. The article concludes that to preserve consumer choice and programming diversity, European public broadcasters should forsake their nation-centric perspective, adapt their organizational structures to the international nature of the multichannel universe, and renew their combined efforts to launch thematic channels in genres in which they could make a significant contribution.
新媒体秩序下的美国文化主导地位
从文化帝国主义到国际传播全球化的范式转变已经改变了该学科的研究议程。当新的问题出现时,其他的问题,比如美国在世界媒体市场上的卓越地位,往往被忽视了。本文从新范式的角度重新审视了美国主导地位的老问题,并建议用文化至上的概念取代文化帝国主义的概念。这种转变使我们能够在不考虑文化帝国主义理论的假设和意识形态偏见的情况下,分析当代国际交流的一个突出事实。这篇文章对比了欧洲媒体公司的有限影响力与美国企业集团的全球影响力,并展示了美国在欧洲视听市场的主导地位。报告认为,美国媒体集团将在多频道电视时代变得更加突出,因为它们已成功地将内容本地化作为一项国际战略。文章的结论是,为了保护消费者的选择和节目的多样性,欧洲公共广播公司应该放弃以国家为中心的观点,调整其组织结构以适应多频道宇宙的国际性质,并重新努力推出主题频道,在这些频道中他们可以做出重大贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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