Not-for-children reading: markers of adult sci-fi in Sergei lukyanenko’s writings

V. Chupasov, Helsinki Independent researcher
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Abstract

New forms of science fiction had emerged in several post-Soviet countries in years 1990–2000. New science fiction inherits and transforms traditions and conventions of Soviet “science fiction” (nauchnaya fantastica). The emergence of market relations in the “field of literature” provoked an identity crisis, also initiating various attempts to redefine the boundaries between science fiction and previously closely related discourses, including children’s literature. This article, using several works by S. Lukyanenko as an example, examines how this rhetorical strategy has been implemented within science fiction texts. At the level of motifs and themes, references to sexuality and violence (especially in child-adult relations), tabooed in children’s literature, play a significant part in categorizing Lukyanenko’s novels as adult literature. In the system of typical of SF generic conventions this presents the depicted world as the harsh reality, thus creating a realistic effect. Markers of the second type point to historical dimensions of the fictional world, and this technique invokes conventions of “serious” (i.e. adult) speculative fiction. Also the references to iconic science fiction texts show that the novels are intended for adults and not for children. In conclusion the article raises the issue of children’s literature as being a specific construct and being the neglected Other within science fiction.
不适合儿童阅读:谢尔盖·卢基扬年科作品中的成人科幻标志
1990年至2000年间,一些后苏联国家出现了新的科幻小说形式。新科幻小说继承并改变了苏联“科幻小说”的传统和惯例。“文学场域”中市场关系的出现引发了一场身份危机,也引发了各种重新定义科幻小说与包括儿童文学在内的先前密切相关的话语之间边界的尝试。本文以S. Lukyanenko的几部作品为例,探讨了这种修辞策略是如何在科幻小说文本中实施的。在母题和主题的层面上,提到性和暴力(尤其是在儿童与成人的关系中),这些在儿童文学中是禁忌的,在将卢基扬年科的小说归类为成人文学方面发挥了重要作用。在典型的科幻小说一般惯例体系中,将所描绘的世界呈现为残酷的现实,从而产生一种现实的效果。第二种类型的标记指向虚构世界的历史维度,这种技术援引了“严肃”(即成人)投机小说的惯例。此外,对标志性科幻小说文本的引用表明,这些小说是写给成年人看的,而不是给孩子看的。最后,文章提出了儿童文学作为一个特定的结构和被忽视的他者在科幻小说的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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