Script Analysis and Play Making of Mohammed Ben Abdallah’s The Fall of Kumbi: Directors’ Concept

Samuel A. Mensah, G. Yeboah
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引用次数: 0

Abstract

The significant role of the director in theatre production is one feature that cannot be compromised. It is the very fulcrum upon which play making is hinged. on. The director‟s function in today‟s theatre keep expanding as his art keeps improving. In recent times, the emergence of trends in the theatre have made directors adopted new approaches to productions. However, one significant fact that has remained basically constant with the passage of time is the director‟s overarching goal and responsibility is to interpret a playwright‟s text and vision and unify all the other artists work to bring out the main artistic theme and vision of the production. The director thus, rely heavily on the text and other artists as his or her main tools in a production concept. The director is therefore seen as the unifier who holds the whole production together. He or she then becomes the designer who coordinates all the creative team and other staff of the production such as; costume design, lighting design, props, acting, set design, stage combat, and sound design for the production (Downs & Ramsey, 2012).
穆罕默德·本·阿卜杜拉《库姆比的陷落》的剧本分析与剧本制作:导演的概念
导演在戏剧制作中的重要作用是一个不容妥协的特点。它是游戏制作的支点。上。随着导演艺术的不断提高,他在当今戏剧中的作用也在不断扩大。近年来,戏剧界出现的新趋势使导演们采用了新的制作方法。然而,随着时间的推移,一个重要的事实基本保持不变,那就是导演的首要目标和责任是解释剧作家的文本和视觉,并统一所有其他艺术家的作品,以呈现出作品的主要艺术主题和视觉。因此,导演很大程度上依赖于文本和其他艺术家作为他或她在制作概念中的主要工具。因此,导演被看作是统一整个作品的人。然后他或她成为协调所有创意团队和其他制作人员的设计师,例如;服装设计,灯光设计,道具,表演,布景设计,舞台战斗,以及制作的声音设计(Downs & Ramsey, 2012)。
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