Antithesis to Machismo in the Poetry of Parijat and Kundan Sharma

D. R. Niroula
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Abstract

This research paper tries to provide an analysis, from the feministic approach, of the Nepali modernist poetry written by Parijat and Kundan Sharma. They were the avant-garde female poets of the 1960s in Nepali literature to write on the gender issues threatening the patriarchal system. Their antithetical stand to machismo was inspired by the Western academic and literary tradition. Some of the women characters in Parijat's poems are found to have been sufferer under triple marginalization, namely, from the perspectives of economic status, caste and gender. In spite of the fact that the society in the 1960s was inhospitable to gender equality and women's rights, these poets brilliantly articulated agonizing experiences of gender bias pervasive in both textual and practical world. Undoubtedly, the preliminary moderate feministic voice in Nepali poetry initiated by Parijat and Kundan played a significant role to deconstruct myths about women institutionalized by text, tradition and socio-cultural context. Unlike the usual reading, this study shows how these two pioneer female poets initiated revolutionary zeal to defy status quo based on traditional gender role.
Parijat和Kundan Sharma诗歌中大男子主义的对立
本文试图从女性主义的角度对帕里贾特和昆丹·沙玛的尼泊尔现代主义诗歌进行分析。她们是尼泊尔文学上世纪60年代的先锋派女性诗人,她们写的是威胁父权制度的性别问题。他们反对大男子主义的立场受到西方学术和文学传统的启发。Parijat诗歌中的一些女性角色是三重边缘化的受害者,即从经济地位、种姓和性别的角度来看。尽管20世纪60年代的社会对性别平等和妇女权利并不友好,但这些诗人出色地表达了在文本和现实世界中普遍存在的性别偏见的痛苦经历。毫无疑问,Parijat和Kundan在尼泊尔诗歌中发起的初步温和的女性主义声音对解构文本、传统和社会文化背景下制度化的女性神话起了重要作用。与以往的阅读不同,本研究展示了这两位先锋女诗人是如何发起反抗传统性别角色现状的革命热情的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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