Il reincanto della performance, probabilmente

Gianpiero Vincenzo
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Abstract

The re-enchantment of the performance, probably. The art world has long been confronted with the loss of symbolic meaning of an increasingly reified existence. If the digital universe represents an escape route from the void of meanings, the pandemic has paradoxically brought back to the forefront the importance of action in presence, of performance, to identify new creative paths. The hypothesis formulated by the writer is that the ritual function of the performative action allows the reorganization of the symbolic order related to an artistic imaginary. The article analyzes in detail the performance of Zoltan Fazekas, PROBABLY , which was held in Catania from December 2020 to June 2021. Fazekas' performance features symbolic elements and ritual actions similar to those of other performances by contemporary artists. The study allows us to hypothesize the symbolic re-enchantment function of the performance, all the more important in moments of crisis such as the one induced by the recent pandemic. Creative artistic activity is becoming increasingly important to counteract the chronic passivity syndrome linked to techno-consumerism.
可能是表演的复兴
也许是表演的重新魅力。长期以来,艺术界一直面临着日益物化的存在失去象征意义的问题。如果说数字宇宙是摆脱意义空虚的一条出路,那么,这场大流行却自相矛盾地把现场行动和表现的重要性重新摆在了首位,以确定新的创造性道路。作者提出的假设是,表演行为的仪式功能允许与艺术想象相关的符号秩序的重组。本文详细分析了2020年12月至2021年6月在卡塔尼亚举行的Zoltan Fazekas, PROBABLY的表演。法泽卡斯的表演具有与其他当代艺术家的表演相似的象征元素和仪式动作。这项研究使我们能够假设表演具有象征性的重新迷人的功能,在危机时刻,如最近的大流行引起的危机时刻,这一点尤为重要。创造性的艺术活动对于对抗与科技消费主义相关的慢性被动综合症正变得越来越重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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