Reflexes of *r̥ and muta cum liquida in Epic Greek

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Abstract

So far, we have encountered several compelling pieces of evidence for a regular development *r̥ > ‐αρ‐ in Ionic-Attic: τέταρτος, ταρφύς, καρτερός, and κάρτα. Furthermore, many formswith either ‐ρα‐ or ‐αρ‐ could be explained as analogical: u-stem adjectives such as κρατύς, πλατύς, βραχύς, s-stem nouns and adjectives like κράτος, θάρσος, and forms of comparison such as κράτιστος. In addition to this, wenoted that epic forms like κάρτος and κάρτιστοςwere artificially created. However, a body of forms remains where ‐ρα‐ must be the uninterrupted reflex of *r̥, as an analogical reshaping is simply not conceivable. Our main remaining task is to account for these forms. The evidence includes, among other forms, the aorists ἔδρακον and ἔπραθον (contrast δέρκομαι, πέρθω), the aorist subjunctive τραπείομεν of τέρπομαι ‘to enjoy oneself ’, the verbal noun δρατός ‘flayed’ (contrast δέρω), the adjective θρασύς (contrast θέρσος, and cf. chapter 4); and isolated words like τράπεζα and στρατός. Upon closer inspection, it appears thatmany such formswith ‐ρα‐ < *r̥ occur exclusively in poetry, and in EpicGreek in particular.1Moreover, when there are variant forms with ‐ρα‐ and ‐αρ‐, it is often possible to establish a distribution between these reflexes, as illustrated in Table 12 (next page). In all these cases, the forms with ‐ρα‐ are found exclusively in poetry, mostly in Epic Greek, and ‐αρ‐ is the only reflex found in Ionic and/or Attic prose texts. The forms with ‐ρα‐ are normally considered phonological archaisms that were preserved because of their metrical utility. Upon this view, forms like καρτερός, τέταρτος, and καρδίη allegedly arose by analogy in the Ionic vernacular(s) and were then introduced into Epic Greek, where they supplied metrical alternatives for the older forms with ‐ρα‐. As we have seen in the previous chapters, however, it is impossible to view καρτερός and τέταρτος as analogical or otherwise secondary formations: they must contain the regular outcome of *r̥. I will now first argue that the same holds for καρδίη / καρδία.
古希腊语中*r *和“变与流”的反射
到目前为止,我们已经遇到了几个令人信服的证据,证明在Ionic-Attic中有规律的发展:ταρτ ς, ταρτ ς, καρτ ς和καρτ α。此外,带有- α α -或- αρ -的许多形式可以被解释为类似的:u形形容词,如- κ ατ ς, - λατ ς, - βρα ζ; s形名词和形容词,如- κ ατ ιστος;以及比较形式,如- κρα ισ ρ ος。除此之外,我们还注意到,像κ α ρτος和κ α ρτιστος这样的史诗形式是人为创造的。然而,形式体仍然存在,其中‐ρα‐必须是*r‐的不间断反射,因为类比重塑是不可想象的。我们剩下的主要任务是解释这些形式。证据包括等形式,不定过去时ἔδρακον和ἔπραθον(对比δέρκομαι,πέρθω),不定过去时的虚拟语气τραπείομεν的τέρπομαι“欣赏自己”,动名词的δρατός“剥皮”(对比δέρω),这个形容词θρασύς(对比θέρσος),和参见第4章);还有孤立的单词,比如τρ πεζα和στρατός。仔细一看,似乎有许多带有‐ρα‐< *r >的形式只出现在诗歌中,特别是在EpicGreek中。此外,当存在‐ρα‐和‐αρ‐的变体形式时,通常可以在这些反射之间建立一个分布,如表12(下一页)所示。在所有这些情况下,带有‐α‐的形式只出现在诗歌中,主要是在希腊史诗中,而‐αρ‐是在爱奥尼亚和/或阿提卡散文文本中发现的唯一反射。具有‐ρα‐的形式通常被认为是由于其格律效用而被保存下来的音系古词。根据这一观点,像καρτερός, τ ταρ ος和καρδ η ς这样的形式据称是在爱奥尼亚方言中类似出现的,然后被引入史诗希腊语,在那里它们为古老的形式提供了‐ρα‐的格律替代。然而,正如我们在前面的章节中所看到的,我们不可能把καρτερός和τ ταρ ρ ος看作是类似的或次要的构象:它们必须包含*r ā的规则结果。我现在首先要论证的是,这同样适用于καρδ末梢/ καρδ末梢α。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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