Imaged or Imagined? Cultural Representations and the ‘Tourismification’ of Peoples and Places

Noel B. Salazar
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引用次数: 86

Abstract

The various ways in which peoples and places around the globe are represented and documented in popular media have an immense impact on how tourists imagine and anticipate future destinations. Even though tourism discourses take a variety of forms, visual imagery seems to have the biggest influence on shaping tourists' pre­trip fantasies. Based on ethnographic fieldwork, this paper illustrates the dynamic processes of cultural tourismification in Tanzania's so-called "northern circuit". In many parts of the world, famous nature documentaries, mainstream Hollywood enter­tainment, and semi-biographic films about this region have become fashionable icons for sub-Saharan Africa as a whole, often reinforcing a perfect nostalgic vision of the black continent as an unexplored and time-frozen wild Eden. While tourism representations have overwhelmingly focused on wildlife, an increasing demand for "meet-the-people" cultural tourism is increasingly bringing local people into the pic­ture. Interestingly, locals are commonly portrayed while engaging in vibrant rituals or in inauthentic, staged poses wearing celebrative costumes. As an example, the paper discusses how the romanticized image of the virile Maasai warrior, dressed in colourful red blankets and beaded jewellery, has led to a true Maasai-mania that is profoundly affecting the daily life and culture of Maasai and other ethnic groups.
想象还是想象?文化表征和民族和地方的“旅游化”
大众媒体以各种方式呈现和记录世界各地的人民和地方,这对游客如何想象和预测未来的目的地产生了巨大的影响。尽管旅游话语的形式多种多样,但视觉意象似乎对游客旅行前幻想的形成影响最大。本文以民族志田野调查为基础,阐述了坦桑尼亚所谓的“北部环线”文化旅游化的动态过程。在世界上的许多地方,著名的自然纪录片、好莱坞主流娱乐节目和半传记电影已经成为撒哈拉以南非洲的时尚标志,经常加强对黑色大陆的完美怀旧,作为一个未被探索和时间冻结的野生伊甸园。虽然旅游业的代表性主要集中在野生动物上,但对“接触人民”文化旅游的需求日益增长,越来越多地将当地人纳入其中。有趣的是,当地人通常被描绘成参加充满活力的仪式,或者穿着庆祝服装摆出不真实的姿势。举例来说,本文讨论了披著红毯、戴著珠饰、阳刚之马赛战士的浪漫化形象,如何引发真正的马赛狂热,深刻影响马赛人和其他族群的日常生活与文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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