2. The Qing Central Government Institutions in Control of the Handicrafts

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Abstract

This chapter explores the institutional structure of those agencies of the Qing central government that controlled craft production and construction, together with one of their most important bureaucratic instruments, the handicraft regulations. Temporally it covers the entire range of the dynasty from the Ming-Qing transition through to the demise of the monarchy and the rise of the Republic of China. It does so by concentrating on the craft branches in the capital or in its close vicinity. For the late nineteenth and early twentieth centuries, during the transition to ‘modernity’ in the sense of mechanized production, innovations in the government vocational schools are discussed, and the industrial policies of the Qing administration are outlined. By the nineteenth century, a divergence between the court and the central government in terms of government policy towards the craft institutions can be analyzed on the basis of official documentation: while the government and provinces had their artisan staff reduced to practically nothing, the court institutions were strengthened rather than weakened.
2. 清代中央政府管理手工业的机构
本章探讨了清朝中央政府控制手工艺生产和建设的机构的制度结构,以及它们最重要的官僚工具之一——手工艺条例。在时间上,它涵盖了从明清过渡到君主制灭亡和中华民国兴起的整个王朝范围。它通过集中在首都或其附近的工艺分支来做到这一点。在十九世纪末和二十世纪初,在向机械化生产意义上的“现代性”过渡期间,讨论了政府职业学校的创新,并概述了清政府的产业政策。到19世纪,朝廷和中央政府在政府对工艺机构的政策方面的分歧可以根据官方文件进行分析:当政府和各省的工匠人员减少到几乎没有时,朝廷机构得到了加强而不是削弱。
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