Chapter 22 Enemies of Christ in the Far North: Tales of Saracens, Jews and the Saami in Norwegian Medieval Painting

Margrethe C. Stang
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Abstract

Within the limited corpus of Norwegian medieval painting, a surprisingly large number of images portray Muslims and Jews in the context of Christian narratives of opposing faiths. In this chapter, I wish to shed light on these images and discuss them in their cultural and religious context. In recent years, a number of scholarly articles have addressed the question of different ethnic and religious groups and their representation in medieval Scandinavia. I will argue that the portrayal of Muslims and Jews in this corpus reflects the role of these minorities within the storyworld of the Jerusalem code, not in physical reality, and that as literary figures they emphasise the medieval Jerusalem as, among other things, a city of the mind. To demonstrate this, I contrast the depictions of Jews and Muslims with representations of the Saami people of Scandinavia, a minority that must have had a palpable presence in Nordic society, but that is largely invisible in medieval Norwegian storyworlds.
第22章基督在遥远北方的敌人:中世纪挪威绘画中的撒拉逊人、犹太人和萨米人的故事
在有限的挪威中世纪绘画语料库中,令人惊讶的是,大量的图像描绘了穆斯林和犹太人在对立信仰的基督教叙事背景下的形象。在本章中,我希望阐明这些形象,并在其文化和宗教背景下讨论它们。近年来,一些学术文章讨论了不同种族和宗教团体及其在中世纪斯堪的纳维亚的代表性问题。我认为,这本文集中对穆斯林和犹太人的描绘反映了这些少数民族在耶路撒冷法典的故事世界中的角色,而不是在现实生活中,作为文学人物,他们强调中世纪的耶路撒冷是一个思想之城。为了证明这一点,我将对犹太人和穆斯林的描绘与斯堪的纳维亚半岛的萨米人的描绘进行了对比,萨米人是北欧社会中明显存在的少数民族,但在中世纪挪威的故事世界中基本上是看不见的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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