Fiskar skriker när de dör

Dag Hedman
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Abstract

“Fish Scream When They Die. Corall Reefs as an Example of the Interplay Between Man and Nature in Three Texts by Ian Fleming” The essay focuses on one aspect of Ian Fleming’s interest in nature and ecology: the interplay between man and nature in the novel Live and Let Die (1954), and in two short stories: ”The Hildebrand Rarity” (1960) and “Octopussy” (1962). All three texts have coral reefs at the centre of climactic scenes, in which Nature strikes back at evil and criminal individuals: the mobster Mr. Big uses a coral reef as an outré instrument of execution; he ends his life as leopard shark food when he falls into the sea at the reef. The gangster Milton Krest poisons an entire coral reef with thousands of fish just to catch one single specimen of an extremely rare fish, the Hildebrand Rarity; his murderer stuffs the Hildebrand Rarity into his mouth, and the spines of the dorsal and anal fins catch inside his cheeks, thus causing him to suffocate. The thief and murderer Dexter Smythe tries to kill a deadly scorpion fish, which he plans to feed to the cephalopod Octopussy. The fish pricks his skin with its poisonous fins. Before Smythe is paralysed, he is pulled down into the deep by Octopussy, thus dying two deaths. At a time when research on popular literature in Sweden is scarce, and the combination ecocriticism/popular literature is clearly underexploited in Swedish literary criticism, it would seem urgent to show the possibilities of this research area. 
“鱼死时会尖叫。这篇文章集中在伊恩·弗莱明对自然和生态感兴趣的一个方面:小说《生与死》(1954)中人与自然之间的相互作用,以及两个短篇小说:《希尔德布兰德珍奇》(1960)和《八脚女》(1962)。这三个文本都以珊瑚礁为高潮场景的中心,在这些场景中,大自然对邪恶和犯罪的个人进行了反击:暴徒Mr. Big使用珊瑚礁作为一种令人毛骨悚然的处决工具;当他掉进礁石处的海里时,他结束了作为豹鲨食物的生命。歹徒米尔顿·克莱斯特用成千上万条鱼毒害了整个珊瑚礁,只是为了捕捉一条极其稀有的鱼——希尔德布兰德稀有鱼;凶手把希尔德布兰德稀有鱼塞进他的嘴里,鱼背和肛门鳍的刺夹在他的脸颊里,导致他窒息而死。小偷和杀人犯德克斯特·斯迈斯试图杀死一条致命的蝎子鱼,他计划把它喂给头足类章鱼。鱼用有毒的鳍刺他的皮肤。在斯迈思瘫痪之前,他被八爪女拉入深渊,因此死亡两次。在瑞典对大众文学的研究很少,生态批评/大众文学的结合在瑞典文学批评中显然没有得到充分利用的时候,展示这一研究领域的可能性似乎迫在眉睫。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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