Fourteen Kilometres To Paradise. Images Of Migration To Andalusia In Spanish Cinema

J. Aleksandrowicz
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Abstract

The article depicts narrative strategies in twelve Spanish films about migration from North Africa to Andalusia. This problem has been gaining increasing interest of Spanish filmmakers since 1990s, which is a concomitant of intensification of migration itself. Andalusia, as an autonomous region located closest to Africa is a fulfilment of European Dream but also a place of disillusionment. Oftentimes it is also merely a brief stop on way to the more industrialized regions of Spain or other countries of western Europe. The fourteen kilometres that separate Africa from Europe in the narrowest spot of the Strait of Gibraltar eventually became a metaphor in order to render the paradox of intercontinental distance. The analysis focuses on different narrative perspectives, racial stereotypes and new racism reflected in cinematography images.
《十四公里到天堂》西班牙电影中的安达卢西亚移民形象
本文描述了十二部关于北非移民到安达卢西亚的西班牙电影的叙事策略。这一问题自20世纪90年代以来一直受到西班牙电影人越来越多的关注,这本身就是移民加剧的产物。安达卢西亚作为离非洲最近的自治区,是欧洲梦的实现之地,也是幻灭之地。通常,它也只是在前往西班牙或其他西欧国家的工业化地区途中的短暂停留。在直布罗陀海峡最窄的地方,将非洲与欧洲隔开的14公里,最终成为一个隐喻,以表达洲际距离的悖论。分析的重点是不同的叙事视角,种族刻板印象和新的种族主义反映在电影摄影图像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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