The empire state building and the roles of low-resolution media façades in a data society

Dave Colangelo
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引用次数: 3

Abstract

Media façades and reactive architecture are playing an increasingly important role in media circulation and the experience of the city. The highly visible and data-reactive low-resolution displays of buildings like Toronto's CN Tower or New York's Empire State Building shape the texture, tempo, and legibility of the urban experience, an experience that is produced (and consumed) in a unique combination of on and offline activity. Emerging from histories of weather beacons and illuminated architecture, I argue that these expressive surfaces increase the ambivalence and contingency of the experience of the city, enabling the formation of temporary publics through public data visualizations that combine elements of democratized urbanism, critical debate, emotion, control, and commerce. Buildings with programmable LED media façades are also palpable substantiations of supermodernism, that is, of the irruption and imbrication of the "infoscape" and the cityscape, of urban informatics, information aesthetics, and mediated urbanism in architecture. Through historical research, social media analysis, and research-creation, this paper focuses on the specific case of the Empire State Building and reports on the relationships between information, public space, and architecture that are sustained and supported by low-resolution, expressive architectural façades. The paper ends with a discussion of the potential for art and activism for low-resolution digital architectural displays via two research-creation projects: In The Air Tonight (2014), a project created for the LED façade of the Ryerson Image Arts Centre in Toronto, and E-TOWER (2010), a project created for Toronto's CN Tower. Contribution to the Media Architecture community: Historical and functional case study of Empire State Building and investigation of low-resolution media façades as tools for commerce, critique, and civic development through social media and public data visualization.
帝国大厦和低分辨率媒体在数据社会中的角色
媒介空间和反应性建筑在媒介流通和城市体验中扮演着越来越重要的角色。像多伦多的CN塔或纽约的帝国大厦这样的建筑的高可见性和数据反应性的低分辨率显示塑造了城市体验的质感、节奏和易读性,这种体验是在线上和线下活动的独特结合中产生(和消费)的。从气象信标和照明建筑的历史来看,我认为这些富有表现力的表面增加了城市体验的矛盾心理和偶然性,通过公共数据可视化,结合了民主化城市主义、批判性辩论、情感、控制和商业等元素,使临时公众得以形成。具有可编程LED媒体幕墙的建筑也是超现代主义的明显实体,即“信息景观”和城市景观,城市信息学,信息美学和建筑中中介的城市主义的破坏和融合。本文通过历史研究、社交媒体分析和研究创作,聚焦于帝国大厦的具体案例,并报道了信息、公共空间和建筑之间的关系,这些关系是由低分辨率、富有表现力的建筑立面维持和支持的。本文最后通过两个研究创作项目讨论了低分辨率数字建筑展示的艺术和行动主义潜力:为多伦多瑞尔森图像艺术中心的LED幕墙设计的“今夜在空中”(2014年)和为多伦多CN塔设计的“E-TOWER”(2010年)。对媒体建筑界的贡献:帝国大厦的历史和功能案例研究,以及通过社交媒体和公共数据可视化,将低分辨率媒体作为商业、批评和公民发展的工具的调查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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