Poznání a vizualizace aneb jak myslet očima a rukama

Bruno Latour
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引用次数: 1

Abstract

Bruno Latour’s article challenges the preconceived notions with which the scholars have approached the Great Divide between prescientific and scientific cultures. In order to account for the immense effects of science and technology without assuming a single grand cause for them, he suggests to focus on many, small unexpected and practical sets of skills to produce images, and to read and write about them. However, only those changes that intervene favorably in the agonistic situation in science should be considered. Crucial in this respect is the emergence of numerous “immutable mobiles” – easily transported, accumulated, combined, yet lasting objects – which made possible the mobilization of new scientific inscriptions and of new ways of looking at and presenting them. They help to constitute an optically consistent visual culture with such technologies as printing press. Their combination on the surface of paper and subsequent mobilization of allies can usher in bureaucratic mode of domination over the world and people in the scientific field. The effects of science and technology thus become a question of a shift in power relations enabled by the manipulation of inscriptions.
布鲁诺·拉图尔的文章挑战了学者们对前科学文化和科学文化之间的巨大鸿沟的先入为主的看法。为了解释科学和技术的巨大影响,而不是假设它们的一个重大原因,他建议关注许多意想不到的小而实用的技能来产生图像,并阅读和写作它们。然而,只有那些有利于科学竞争局面的变化才应该被考虑。在这方面至关重要的是大量“不可改变的移动”的出现——易于运输、积累、组合,但持久的对象——这使得新的科学铭文的动员以及观察和呈现它们的新方法成为可能。它们有助于与印刷机等技术一起构成一种光学上一致的视觉文化。它们在纸上的结合和随后的盟友动员可以在科学领域迎来统治世界和人民的官僚模式。因此,科学和技术的影响变成了一个权力关系转移的问题,这种转移是由对铭文的操纵促成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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