Ljiljana Jevremovic, Branko Turnsek, A. Stanojević, Marina Jordanovic, M. Vasić
{"title":"Use of color in architecture - industrial architecture perspective","authors":"Ljiljana Jevremovic, Branko Turnsek, A. Stanojević, Marina Jordanovic, M. Vasić","doi":"10.2298/FUACE191016004J","DOIUrl":null,"url":null,"abstract":"This paper deals with the color theory and the application of this theory in\n architectural design. Since the modernist architects and modern era in\n architecture, the colors of the buildings were not in the focus of their\n authors. On the contrary, the modern movement has taught us that color, and\n especially artificial one, is almost a crime to use and in a way, it\n expresses a lack of a style. Through examining universal color harmony\n principles in this paper the problem and phenomenon of using colors in\n contemporary architecture was discussed, which had its roots in the modern\n movement and evolved through technological advance especially in material\n technology. The industrial architecture is used as an example, to narrow down\n the research field, but also for the reasons of extensive and creative use of\n color in this type of buildings. We have examined several industrial\n buildings that have been systematized into three categories. All three\n categories are analyzed for the application of general color harmony\n principles. Then discussion focuses on refining principles of color usage in\n architecture that appear in contemporary architecture in order to systematize\n those principles, particularly important for architectural education and new\n practitioners of architecture. In conclusion, it is stated that universal\n color harmony principles are applicable in architecture as well, as in other\n visual arts.","PeriodicalId":259677,"journal":{"name":"Facta Universitatis - Series: Architecture and Civil Engineering","volume":"367 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Facta Universitatis - Series: Architecture and Civil Engineering","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/FUACE191016004J","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This paper deals with the color theory and the application of this theory in
architectural design. Since the modernist architects and modern era in
architecture, the colors of the buildings were not in the focus of their
authors. On the contrary, the modern movement has taught us that color, and
especially artificial one, is almost a crime to use and in a way, it
expresses a lack of a style. Through examining universal color harmony
principles in this paper the problem and phenomenon of using colors in
contemporary architecture was discussed, which had its roots in the modern
movement and evolved through technological advance especially in material
technology. The industrial architecture is used as an example, to narrow down
the research field, but also for the reasons of extensive and creative use of
color in this type of buildings. We have examined several industrial
buildings that have been systematized into three categories. All three
categories are analyzed for the application of general color harmony
principles. Then discussion focuses on refining principles of color usage in
architecture that appear in contemporary architecture in order to systematize
those principles, particularly important for architectural education and new
practitioners of architecture. In conclusion, it is stated that universal
color harmony principles are applicable in architecture as well, as in other
visual arts.